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"He was too modern for the conservatives, and he did not manage to catch up with the 'New Music', despite his close personal relationship to Schönberg" - This brief characterization of Zemlinsky's compositional style shows that the composer 'feil between two stools' even while he was alive. The opera was written at the suggestion of Gustav Mahler between 1903 and 1906. In 1907 he was engaged by Mahler as director of music at the Court Opera; at the same time, his third opera "Der Traumgörge" (Görge the Dreamer) was accepted for it's first performance. Following Mahler's resignation, however, the opera was dropped by Mahler's successor, even though it had already been rehearsed, and it stayed untouched till the 1970s when the scores and parts have been found in the archive of Vienna State Opera. It's time that this recording - who was the first complete recordings - as well as Zemlinsky's masterpiece turn back to the awareness of the musical life.
"He was too modern for the conservatives, and he did not manage to catch up with the 'New Music', despite his close personal relationship to Schönberg" - This brief characterization of Zemlinsky's compositional style shows that the composer 'feil between two stools' even while he was alive. The opera was written at the suggestion of Gustav Mahler between 1903 and 1906. In 1907 he was engaged by Mahler as director of music at the Court Opera; at the same time, his third opera "Der Traumgörge" (Görge the Dreamer) was accepted for it's first performance. Following Mahler's resignation, however, the opera was dropped by Mahler's successor, even though it had already been rehearsed, and it stayed untouched till the 1970s when the scores and parts have been found in the archive of Vienna State Opera. It's time that this recording - who was the first complete recordings - as well as Zemlinsky's masterpiece turn back to the awareness of the musical life.
845221053950

Details

Format: CD
Label: CIO
Rel. Date: 01/03/2020
UPC: 845221053950

Traumgorge
Artist: Janis Martin
Format: CD
New: Not in stock
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Formats and Editions

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DISC: 1
MP3
1. Der Traumgörge, Op. 11, Act I Scene 1: Husch! Husch! (Live)
2. Der Traumgörge, Op. 11, Act I Scene 2: Na Ja! Da Steht Und Schwatzt (Live)
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3. Der Traumgörge, Op. 11, Act I Scene 3: Mädel, Kommst Du (Live)
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4. Der Traumgörge, Op. 11, Act I Scene 4: Schön Guten Tag (Live)
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5. Der Traumgörge, Op. 11, Act I Scene 5: Grüß Gott (Live)
6. Der Traumgörge, Op. 11, Act I Scene 6: Wer Das Verstünd (Live)
7. Der Traumgörge, Op. 11, Act I Scene 7: Görge (Live)
8. Der Traumgörge, Op. 11, Act I Scenes 8 & 9: Brautzeit (Live)
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DISC: 2
Digital download
MP3
1. Der Traumgörge, Op. 11, Act II Scenes 1 & 2: Es War Ein Mädchen (Live)
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2. Der Traumgörge, Op. 11, Act II Scenes 3 & 4: Also Der Görge (Live)
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3. Der Traumgörge, Op. 11, Act II Scene 5: Recht, Ganz Recht (Live)
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4. Der Traumgörge, Op. 11, Act II Scene 6: Wirtin (Live)
5. Der Traumgörge, Op. 11, Act II Scenes 7 & 8: Da Bist Du (Live)
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6. Der Traumgörge, Op. 11, Act II Scene 9: Er Bleibt Bei Mir (Live)
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7. Der Traumgörge, Op. 11, Act II Scene 10: Das Ist‘s, Wozu Sie (Live)
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8. Der Traumgörge, Op. 11, Act II Scene 11: Du, Görge (Live)
9. Der Traumgörge, Op. 11, Act II Scene 12: Da Sind Sie (Live)
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10. Der Traumgörge, Op. 11, Epilogue Scene 1: Wie Alles Blüht (Live)
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11. Der Traumgörge, Op. 11, Epilogue Scene 2: So Da Sind Wir (Live)
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12. Der Traumgörge, Op. 11, Epilogue Scene 3: Du Gehst? (Live)

More Info:

"He was too modern for the conservatives, and he did not manage to catch up with the 'New Music', despite his close personal relationship to Schönberg" - This brief characterization of Zemlinsky's compositional style shows that the composer 'feil between two stools' even while he was alive. The opera was written at the suggestion of Gustav Mahler between 1903 and 1906. In 1907 he was engaged by Mahler as director of music at the Court Opera; at the same time, his third opera "Der Traumgörge" (Görge the Dreamer) was accepted for it's first performance. Following Mahler's resignation, however, the opera was dropped by Mahler's successor, even though it had already been rehearsed, and it stayed untouched till the 1970s when the scores and parts have been found in the archive of Vienna State Opera. It's time that this recording - who was the first complete recordings - as well as Zemlinsky's masterpiece turn back to the awareness of the musical life.
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