Indie Exclusive * Pressed on black ice vinyl, with a transparent ruby red 7” that includes two previously unreleased bonus tracks featuring Bilal and Talib Kweli * A small pressing of a standard black variant will be in the marketplace before this drops - it won't have the 7"w/ the bonus tracks * Cuts for Luck and Scars for Freedom is the debut album by Mystic, released on June 19, 2001 through GoodVibe Recordings and JCOR Entertainment. The album elicited highly positive reviews from critics, who praised the album's lyrics and themes. Eventually, the album earned Mystic several accolades and award nominations. In 2001, Kludge magazine ranked it at number seven on their list of best albums of the year. In 2002, the album earned Mystic a nomination for Best Female Hip-Hop Artist at the BET Awards, where she lost to Missy Elliott. That same year, the album cut "W" was nominated for "Best Rap/Sung Collaboration," a new category, at the Grammy Awards; the song lost to Eve's "Let Me Blow Ya Mind," a collaboration with Gwen Stefani.
Indie Exclusive * The astounding debut album that established the Subhumans as a genuine force to be reckoned with, ‘The Day The Country Died’ captured both the band’s serious anarcho punk ideology and their irreverent sense of humour. It was apparent from the off that here was a band that could not only stimulate your brain but also put a big shit-eating grin on your face as you jumped about to them. And the now-iconic artwork by Nick Lant – probably his most recognisable piece of work for the band - has adorned countless thousands of jackets and T-shirts since. Recorded over just four days during the heady summer of 1982, and released six months later in January 1983, when it quickly climbed to No. 3 in the UK’s then-important Independent Charts, this exhilarating collection of songs has endured for four decades, the band still regularly kicking their live set off with the opening track, ‘All Gone Dead’.
Indie Exclusive * With their eclectic influences and scintillating musicianship, Subhumans were never going to be content to trot out anarcho punk by numbers, but no-one was really prepared for the progressive brilliance of their sophomore album, ‘From The Cradle To The Grave’. Whilst the A-side contains nine short sharp bursts of energised punk, gleefully embracing all points of the spikey spectrum, from the breakneck thrash of ‘Reality Is Waiting For A Bus’ to the ominous dirge of ‘Wake Up Screaming’, it is the ambitious title track that really captures the imagination, its sprawling sixteen-plus-minute running time telling the sorry tale of the human life cycle across a myriad of dynamic acts. If anyone was still in any doubt, it was the band defiantly setting out their stall as a creative entity that existed outside the stifling constraints of perceived musical sub-genres. Committed to tape by the visionary John Loder at Southern Studios at the tail end of 1983, it was released in April 1984 to widespread acclaim – and only kept from the No. 1 spot in the Independent Charts by New Order!
Indie Exclusive * Arguably the highlight of their Eighties output, the third Subhumans album was recorded at Woodlands Studio, Castleford, during Spring 1985, and released early the following year, a few months after the band had split. Opening with the slightly incongruous instrumental, ‘33322’, what it lacks in rampant speed, it more than compensates for with some truly sublime compositions, assured arrangements and dizzying time changes. With a front cover illustration inked by vocalist Dick, ‘Worlds Apart’ saw the band find a veritable sweet spot in their song-writing, spawning many of their best-loved tracks, such as ‘Apathy’, ‘Businessmen’ and ‘Can’t Hear The Words’, but every single track on the album remains an understated masterpiece.
Overkill - Taking Over - Taking Over is the second studio album by thrash metal band Overkill, Originally released in March 1987 through Atlantic and Megaforce Records. The album is Overkill's last to feature drummer Rat Skates, who left the band later in 1987 and was replaced by Sid Falck. It was also the first to be released through Atlantic, who would release all of the band's albums up to W.F.O. (1994).
Under the Influence is the third studio album by thrash metal band Overkill, released on July 5, 1988 through Megaforce Records and Atlantic Records. This was Overkill's first album to feature drummer Sid Falck, who had replaced Rat Skates when the latter left the band in 1987 during the Taking Over tour.
2023 release. Primitive Man brings their grimy, misery-driven heaviness together with Full of Hell's iconoclastic genre-busting grindcore into a singularly powerful dual artistic statement. Produced by Andrew Nelson (Harms Way, Weekend Nachos, Lurk), Suffocating Hallucination unites them in a blisteringly blissful sonic celebration of disillusionment and chaos.
Limited 180gm vinyl LP pressing in deluxe gatefold packaging. Andrew Hill's 1968 album Dance With Death stands as one of the most gratifying, though under-recognized, sessions of the brilliant pianist's discography, featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins. Blue Note Tone Poet Series features all-analog remastering.
Limited 180gm vinyl LP pressing in deluxe gatefold packaging. Kansas City-born trumpeter Carmell Jones signed to Pacific Jazz soon after his arrival in Los Angeles in 1960 and began what seemed sure to be a promising recording career with his accurately titled 1961 debut, The Remarkable Carmell Jones, featuring Harold Land, Frank Strazzeri, Gary Peacock and Leon Pettis. Blue Note Tone Poet Series features all-analog remastering.
Grammy Award-winning band Phoenix returns with their next full length, Alpha Zulu, due out 11/4/2022. This follows their 2020 single "Identical,'' which went #1 at AAA radio, from the Motion Picture "On The Rocks". The project was recorded during the height of the pandemic in Paris, at the iconic Louvre museum. Phoenix are set to perform at festivals like Primavera Sound (Barcelona), We Love Green (Paris) and Austin City Limits (Texas) and will embark on a full headline tour in the US, UK, and EU in Sept 2022. The band has seen over 1.5B+ streams across their catalog, and have previously headlined Coachella, Governors Ball, Primavera Sound, Austin City Limits, and more. They've performed on Saturday Night Live, The Tonight Show with Jimmy Fallon, amongst others.
The word Babble brings two things to mind: A person pouring out their thoughts with reckless abandon, or a gentle sound coming from water cascading over rocks as it flows past. In the case of this reissue from Kendra Morris, Babble is a sublime melding of these two meanings. The original release in 2016 came in the form of a self-released EP. A fan cult favorite; it has now grown to include three additional tracks: Playing Games, Dial Back and Ride On. The journey through human emotion is accomplished through Kendra's songs, bringing us, the listeners, into her enchanted world of pain and strength, feeling renewed on the other side. The ability to take trepidation, desire, and insecurities and turn them into comfort and make you want to get up and move with them is a selfless gift she grants to us.With the support of Karma Chief Records (A division of Colemine Records), Babble is getting the official release it deserves.
Indie Exclusive * The EP-LP was originally released in early 1986, after the band had split in November 1985, and collected for convenience the first four Subhumans EPs onto one disc. This includes the fiery six-track debut, ‘Demolition War’, that was first unleashed at the end of 1981, the powerful and provocative ‘Reason For Existence’ and the perennial ‘Religious Wars’, both from 1982, and the intensely angry ‘Evolution’, from May 1983, whose title track rages so effectively against the senseless tragedy that is vivisection. Whilst never intended to be released as a full-length album when first recorded, most of the eighteen tracks on offer are still staples in the band’s set to this day, and hang together very cohesively as an essential body of work.
Indie Exclusive * So named because the CD version originally clocked in time-wise at 29 minutes and 29 seconds, ‘29:29 Split Vision’ was recorded in December 1985, just after the band had split up, and they wanted to bring some closure to that period by recording the new songs they were working on at the time, alongside some of their older material that hadn’t yet been properly recorded. Whilst the B-side hints at the underlying reasons the band split up – the inevitable ‘musical differences’, with the three newest songs on the release literally worlds apart (excuse the pun) from their classic material - the five songs on the A-side are veritable belters, and ‘Split Vision’ remains a frustratingly fascinating offering from this most unconventional of punk bands.
Indie Exclusive * As the title suggests, this 1986 album compiled the eight-track ‘Time Flies… But Aeroplanes Crash’ 12”, originally recorded and released in 1983, and the four-track EP, ‘Rats’, that had been recorded during the summer of 1984 and released in early ’85. ‘Rats’ might just be the band’s most powerful and compelling release, the title track inspired by the Stop The City protests of ’84 that sought to highlight the undeniable links between first world capitalism and third world poverty. Whilst it’s something of a mish-mash, with several rowdy live tracks and a few, very enjoyable re-recordings of old Stupid Humans songs (Stupid Humans being guitarist Bruce’s pre-Subhumans band…), it contains two of the Subhumans’ best-loved tracks, ‘Work Rest Play Die’ and ‘Susan’, the latter something of an oddity as it’s a stirring piano piece, with lyrics written by Steve Hamilton, an old friend of the band.
'Oh Me Oh My' is both elegant and ferocious. It is stirring in one moment and a balm the next. It details histories both global and personal. Lonnie Holley's harrowing youth and young manhood in the Jim Crow South are well-told at this point - his sale into a different home as a child for just a bottle of whiskey; his abuse at the infamous Mount Meigs correctional facility for boys; the destruction of his art environment by the Birmingham airport expansion. But Holley's music is less a performance of pain endured and more a display of perseverance, of relentless hope. Intricately and lovingly produced by LA's Jacknife Lee (The Cure, REM, Modest Mouse), there is both kinetic, shortwave funk that call to mind Brian Eno's 'My Life in the Bush of Ghosts' and the deep space satellite sounds of Eno's ambient works. But it's a tremendous achievement in sonics all it's own.It's also an achievement in the refinement of Holley's impressionistic, stream-of-consciousness lyrics. On the title track which deals with mutual human understanding", Holley is able to make a profound point as ever in far fewer phrases: "The deeper we go, the more chances there are, for us to understand the oh-me's and understand the oh-my's." Illustrious collaborators like Michael Stipe, Sharon Van Etten, Moor Mother and Justin Vernon of Bon Iver serve as not only as choirs of angels and co-pilots to give Lonnie's message flight but as proof of Lonnie Holley as a galvanizing, iconoclastic force across the music community.
Songs of Pain is the first album by folk singer-songwriter Daniel Johnston, recorded on a simple tape recorder and released on Compact Cassette. This is the album's first time being pressed on vinyl.
Prolonging the Magic, CAKE’s third studio album, is being released for the first time on 180 gram black vinyl. Remastered audio of the 13-track album includes “Never There,” “Let Me Go” and “Sheep Go To Heaven”.
Endless Summer Vacationis the eagerly anticipated new album from recording artist, songwriter, and trailblazer Miley Cyrus. This collection is Miley’s eighth studio album, and the follow up to 2020’s album,Plastic Hearts.2023 finds Miley the strongest and most confident she’s ever been, with the music and imagery ofEndless Summer Vacationserving as a reflection of that. The album was recorded in Los Angeles and produced with Kid Harpoon, Greg Kurstin, Mike WiLL Made-It and Tyler Johnson.
Vinyl LP pressing. Reissue of the third studio album from this band led by Maynard James Keenan (Tool / A Perfect Circle), originally released in 2015.
Landscape Tantrums Lost for two decades, the recent rediscovery of Landscape Tantrums the first attempt at recording the music that would become The Mars Volta’s De-Loused In The Comatorium revealed an important and hitherto missing chapter in the group’s evolution. Selfrecorded by Omar (assisted by Jon DeBaun) at Burbank’s Mad Dog Studios within a head spinning four days, Landscape Tantrums captures De-Loused in somewhat embryonic form, though much of what would make The Mars Volta’s debut album such an electrifying, sublime experience was already in place: the fearless invention, the fusion of futurist rock elements and traditions from outside of the rock orthodoxy, the sense of virtuosity working in service of emotional effect. From a distance, The Mars Volta must have seemed as if they were on a high when they walked into the studio to record what they expected to be their debut album (“I didn’t think of it as demos or a dry run,” Omar says). The group had recently played the Coachella festival to rave reviews, a vindication of the quixotic risk Omar and Cedric had taken, quitting At The Drive In to lead such an uncompromising musical proposition. Their debut EP, Tremulant, had similarly signalled their singular vision, and been rewarded with similarly positive feedback. But the truth was that The Mars Volta entered Mad Dog in tatters, scarcely believing anything other than failure lay within their reach. They’d recently lost their bassist, Eva Gardner, and parted ways with keyboard play Ikey Owens. Tensions were brewing with drummer Jon Theodore, too himself a replacement for founding drummer Blake Fleming Omar questioning Theodore’s commitment to the group. And sound manipulator Jeremy Michael Ward’s drug problem had gotten so far out of hand that he’d been sent to rehab, and wouldn’t return until two days into the Landscape Tantrums. The pressure upon Omar was intense, and it began to manifest in the form of physical and emotional breakdowns. His art was his life, but now he began to wonder if it was actually going to kill him. Under such heavy manners, miracles occurred at Mad Dog. Surely that’s the only way to describe the music contained on Landscape Tantrums, as Omar fashioned early versions of Inertiatic ESP, Drunkship Of Lanterns and Eriatarka that rivalled the Rick Rubin produced versions that ended up on De- Loused for intensity, precision and immediacy, as Cedric delivered a powerfully intimate reading of Televators, and as a bare bones version of the group sketched out the peaks of what would become their debut masterpiece in barely half a week, on a shoestring, and believing they wouldn’t last long enough to see it hit the shelves. Listening to Landscape Tantrums now, with the benefit of hindsight and the knowledge of what these songs will become, one notices Cedric has yet to fully find the voice that will lend The Mars Volta their devastating authority, that Eriatarka will evolve even further under Rick Rubin’s watch, and that the lyrics to De-Loused’s climactic chapter, Take The Veil Cerpin Taxt, have yet to be penned. But one also notices how lithe the group sound here, how hungry, and one appreciates the raw edge that Rubin would later polish to a venomous sharpness. More than mere historical curiosity, Landscape Tantrums is an essential text for the dedicated Mars Volta aficionado, and a breathtaking album in its own right.
Double turquoise colored vinyl LP pressing. Conditions of a Punk is the second studio album by Half Alive, originally released in 2022. It was preceded by the singles "What's Wrong", "Summerland", "Make of It", "Hot Tea", "Move Me", "Did I Make You Up?", and "High Up".
Written and recorded in three days during the tumultuous summer of 2020, the Black Plight EP is Chicago multi-instrumentalist NNAMDĎ’s response to the police murder of George Floyd and the subsequent ignition of protests and demands for racial justice that swept the globe.
In three explosive post-punk tracks, NNAMDĎ leans into the heavier noise-rock tendencies of his musical language to explore fundamental political questions of justice for Black Lives in “My life” (“My life / What’s it worth to you?”); his mounting anger against racist police violence in “Rage” (“They kill us dead in the street / Outside so everyone sees / They stand and watch while we bleed / Black with a capital B”); and an internalization and reverberation of a call to action in “Heartless” (“Can’t sit around and wait for something to change”)
Pop Matters said that “Nnamdď's sounds are a testament to the continual melting away of genre distinctions in the current era of (particularly Black) music.” His extensive catalog includes covers significant ground in hip-hop, pop, rock, punk, orchestral, and experimental music. In 2021, NNAMDĎ expanded his freewheeling sonic explorations for an entrée into the world of pop-infused dance and electronica with the release of the Are You Happy EP on November 12, 2021.
Notably, Are You Happy is the only NNAMDĎ project to date that he did not produce, perform, and record by himself. To the surprise of his fans, NNAMDĎ bucked that self-imposed precedent to work with Chicago producer Lynyn. Lynyn is the alias of composer Conor Mackey, NNAMDĎ’s longtime bandmate in the jazz-fusion quintet Monobody. Are You Happy released shortly before Lynyn’s 2022 debut electronic LP lexicon (Sooper Records), which went on to garner significant acclaim. DJ Magazine said that “lexicon is likely to set him apart as one of IDM's next visionaries”.
Lynyn produced Are You Happy in its entirety, drawing on his extensive vocabulary of electronic music and masterful production chops to create the dense, finely detailed compositions at the core of the project. The songs on Are You Happy integrate IDM, drum and bass, dub, and a kitchen-sink of electronic genres resulting in one of the freshest and most singularly unique projects in NNAMDĎ’s extensive and shape-shifting catalog.
Vinyl LP pressing. Classics is a ten-track collection that features some of Peggy Lee's biggest hits, including "A Taste of Honey," "The Shadow of Your Smile," "Hey, Look Me Over!," "The Boy from Ipanema," "Big Spender," and "The Alley Cat Song."
Indie Exclusive * Pressed on black ice vinyl, with a transparent ruby red 7” that includes two previously unreleased bonus tracks featuring Bilal and Talib Kweli * A small pressing of a standard black variant will be in the marketplace before this drops - it won't have the 7"w/ the bonus tracks * Cuts for Luck and Scars for Freedom is the debut album by Mystic, released on June 19, 2001 through GoodVibe Recordings and JCOR Entertainment. The album elicited highly positive reviews from critics, who praised the album's lyrics and themes. Eventually, the album earned Mystic several accolades and award nominations. In 2001, Kludge magazine ranked it at number seven on their list of best albums of the year. In 2002, the album earned Mystic a nomination for Best Female Hip-Hop Artist at the BET Awards, where she lost to Missy Elliott. That same year, the album cut "W" was nominated for "Best Rap/Sung Collaboration," a new category, at the Grammy Awards; the song lost to Eve's "Let Me Blow Ya Mind," a collaboration with Gwen Stefani.
Vinyl LP pressing. Released on June 26, 2007 The Fuentes boys and company have moments when it seems lightening is dying to get out of the bottle. For a pure example of that, wait till just before the minute mark, when these guys rival the gruesome metallic energy Pantera. Let's get down to brass tacks, this album is phenomenal at moments.
Aaliyah is the self-titled third and final studio album by the "Queen of Urban Pop," Aaliyah. Originally released in 2001 by Blackground Records, the album debuted at number two on the Billboard 200 albums chart. Cited by critics as one of the best R&B records of it's time, the album is a reflection of herself as both a young adult and matured vocalist. Standout tracks include "We Need A Resolution," "More Than A Woman," and "Rock The Boat."
Limited triple yellow colored vinyl LP pressing. Includes digital download. Soul Jazz Records' Space, Energy and Light is a collection of music by early electronic and synthesizer pioneers (from 1960s to1970s), mid-1970s proto-new age gurus and 1980s guerrilla D-I-Y cassette-era electronic artists, spanning 30 years.
Created between Palm Springs, California and Hilo, Hawai'i, V is the first double album from the Hawaiian-New Zealand singer-songwriter, multi-instrumentalist and producer Ruban Nielson's Unknown Mortal Orchestra band. Designed to play as one continuous movement and road-tested on dry California freeways, V is the definitive Unknown Mortal Orchestra car record. It's also the fifth full-length album Ruban has released in twelve years. Across fourteen sunbleached songs - written solo or with his brother Kody - Ruban draws from the rich traditions of West Coast AOR, yacht rock, weirdo pop and Hawaiian Hapa-haole music. Over a laidback blend of singalong anthems and cinematic instrumentals, he evokes blue skies, afternoons spent lounging by hotel swimming pools and the alluring darkness that lurks below perfect, pristine surfaces. It's a duality expressed in the dilapidated sunset blues and the saltcorroded soul Ruban explores through tracks like 'Layla' and 'Nadja. ' During the pandemic's early days, Ruban reunited with Kody at a cousin's wedding in Hawai'i. With assistance from their father, Chris Nielson (saxophone/flute) and longstanding Unknown Mortal Orchestra member Jake Portrait, they brought everything Ruban had been thinking about together. The result was V, due for release on March 3, 2023, through Jagjaguwar. When they talked about records that moved them in that spine-shivering manner, Ruban started thinking about the 70s AM radio rock and 80s pop songs that had lurked on the edge of his subconscious mind for most of his life. He wanted to write his version of records like that, leading to the two glorious uptempo singles Unknown Mortal Orchestra released in 2021, 'Weekend Run' and 'That Life'. However, the golden good times never last forever. Not long after, health issues began to plague his extended family. Putting his recordings aside, he helped his mother and his uncle move home from New Zealand and Portland to Hawai'i, and began dividing his time between Hawai'i and Palm Springs. During this period he reconnected with his relatives, reassessed his past, and started to look at things with fresh eyes. Hawai'i brought back memories of the darker side of his parents' lifestyle as entertainers. On those trips, he heard those classic AM radio rock records everywhere. They were inextricably intertwined with the palm trees, swimming pools, and glamorized hedonism he'd internalized from his childhood. There's a type of music in Hawai'i called Hapa-haole (Half white). You can hear it expressed in signature Unknown Mortal Orchestra style through the humid guitar-led atmosphere of V's penultimate song, 'I Killed Captain Cook'. Although the songs are presented in a traditional Hawaiian manner, they're mostly sung in English. Having been influenced by Hawaiian music since Unknown Mortal Orchestra's first album, Ruban saw a space for himself within the tradition. When he reflected on his success, he realised he had the responsibility and platform to represent Hapa-haole music on the global stage.
The duo of Dylan Brady and Laura Les, 100 gecs, announces that the band’s highly-anticipated sophomore album, 10,000 gecs, will arrive on March 17th, 2023. Following their breakout debut album, 1,000 gecs, the anticipation of their next body of work has been high and the band’s teases have been plentiful. The forthcoming album is set to include previously released singles “mememe” which was described in the story as "an ebullient carnival of ska-inflected verses that bounce off a chorus of thrash guitars and a squiggling synth line" along with the 90’s Alt Rock-inspired “Doritos & Fritos,” which The Fader noted as "unlike any other Gecs track before it.” For those yet initiated: 100 gecs planted their flag on the proverbial pop culture moon with their 2019 debut album 1000 gecs, which was heralded by The New Yorker as, “an impressively precise maximalist exercise with no rules” and “utterly unhinged in the best way possible” by GQ. The innovative project captured the hearts of fans and critics alike - selling out all of their live shows to date along with The New York Times calling it, “some of the savviest pop music of the year,” and Rolling Stone dubbing it “one of 2019’s most exciting debuts.” In just a few months following the release of 1,000 gecs, the band went from playing their first concert from inside the video game Minecraft to selling out shows across the country, proving that their rabid, rapidly multiplying fanbase doesn't only exist in the far corners of the internet. After their world tour was postponed in the summer of 2020, Brady and Les kept rolling with the release of 1000 gecs and The Tree of Clues, a rework of the original album featuring collaborations from the likes of A. G. Cook, Fall Out Boy, Charli XCX, Rico Nasty, as well as crowd sourced contributions by fans. The transformative release was described by The NME as a “brain-melting, genre-crushing vision of pop’s future.” Their subsequent international touring over the past two years has sent the unlikely wizard-cloaked pied pipers jumping from sold-out show to sold-out show, seemingly two steps ahead of the zeitgeist, not to mention having a blast while doing it.
Over the span of two decades, M83 mastermind Anthony Gonzalez has firmly established himself as an artist whose work transcends mere escapism in favor of full-on worldbuilding. Whether it be via his celebrated studio albums, film soundtracks, or compositions for stage productions, Gonzalez has proven that nothing surpasses his ability to perfectly encapsulate a specific time, emotion, or sense of place.
Now with Fantasy, the Platinum selling, GRAMMY nominated artist returns with his most personal album to date. Featuring long-time collaborator Justin Meldal-Johnsen and Joe Berry, M83’s touring keyboardist and sax player, the album was born out of extended jam sessions that lasted nearly a year. The result is an exuberant, live-sounding record where trademark M83 goosebump moments abound.
Frightened Rabbit has earned a wide range of critical applause and a fervent international fan following with their emotional melodies and frank lyricism. As moving and triumphant on stage as they are on record, Frightened Rabbit has performed countless headline shows, as well as sharing stages with such like-minded artists as Modest Mouse and Atlantic labelmates Death Cab for Cutie. The band has also won over audiences at a scope of international festivals, including Glastonbury, T in the Park, Oxegen Festival, and Latitude in the UK, Australia's Splendour in the Grass, and our own Lollapalooza and South By SouthWest (SXSW).
Limited green colored vinyl LP pressing. Eudora is a collection of B-sides, rarities, and covers by The Get Up Kids, originally released in 2001. The album contains a number of cover songs which had been recorded for singles or compilations, by artists such as David Bowie, The Pixies, The Cure, and The Replacements.
Dark Horse Records is proud to release Leon Russell's Signature Songs, a collection of intimate, stripped-down piano and vocal recordings, including takes on his timeless songs "A Song for You," "Tight Rope," "Stranger in a Strange Land" and "Hummingbird." Originally released in 2001 and long out of print, it is being pressed for the very first time on vinyl. Leon's friendship with George Harrison is well documented, including his profound contribution to Concert for Bangladesh, so it's only appropriate that his catalog has found a home with Harrison's Dark Horse Records.
Marking their 15th studio album, We Are Motörhead features a cover of the Sex Pistols song ‘God Save The Queen’ for which the band recorded a video atop an open top London Routemaster bus. The album is indicative of the bands grimy attitude and is tight, blistering and typical of their long established sound, and will be available as green vinyl.
Originally released on 10th March 1998, Snake Bite Love is Motörhead’s 14th studio album. The album shows the less heavier side of the band, with several tracks that are slower than one might expect from Motörhead. However, Snake Bite Love still retains the classic mix of true heavy metal and rock n’roll that Motörhead do so well. This album will be available as transparent red vinyl.
Honestly, Nevermind is Drake's seventh studio album. The album's producers include longtime collaborators like Noah (40) Shebib, Oliver El-Khatib, and Noel Cadastre, as well as Black Coffee, who has recently worked with David Guetta and Usher. The album debuted atop the Billboard 200 albums chart, giving the superstar his 11th No. 1 on the chart.
Her Loss is a collaborative studio album by Drake and 21 Savage. It was released on November 4, 2022 through OVO Sound/Republic Records and debuted at #1 on the Billboard Top 200 Albums Chart.
Songs of Surrender features 16 new acoustic and reimagined recordings from the U2 catalog, produced and compiled by The Edge, including “One,” “I Still Haven’t Found What I’m Looking For,” and “Pride (In The Name Of Love).” U2 have sold over 175 million albums, won 22 Grammy awards, and released 14 studio albums. Limited Edition Indie Exclusive Opaque White 2 LP. Pressed on 180-gram vinyl with 4-page insert featuring liner notes from The Edge.
The Animals - The Best Of The Animals - The Best of The Animals is the first greatest hits collection by the British rock group the Animals. MGM Records originally released the album in February 1966 in the United States. It showcases the Animals' tough-edged pop hits combined with their more devoted blues and R&B workouts.
Vinyl LP pressing. One of the best Four Tops records of the '60s, it includes the glorious "Reach Out, I'll Be There," "Standing In The Shadows of Love" and "Bernadette." Reach Out, which almost cracked the Top 10, was more commercially successful than any other original LP by the group. It contains 6 of The Four Tops' Top 20 singles. Reach Out was ranked #429 in Rolling Stone Magazine's 2020 edition of "The 500 Greatest Albums of All Time" list
Pianist Herbie Hancock showcased the full breadth of his artistry on his masterful 4th Blue Note album Empyrean Isles recorded in 1964. The album presented 4 diverse original compositions including the hit song "Cantaloupe Island" performed a deeply attuned quartet featuring Freddie Hubbard on trumpet, Ron Carter on bass, and Tony Williams on drums. Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Vinyl LP pressing. 2023 release. The Layers is a stunning companion piece to guitarist Julian Lage's acclaimed 2022 album View With A Room. The collection features six original pieces featuring the trio of bassist Jorge Roeder and drummer Dave King with the addition of guitar icon Bill Frisell. Intimate and gorgeous, The Layers is a welcome additional offering from this meeting of two of modern jazz's most distinctive voices with one of the music's most skilled and inventive rhythm sections.
A saxophonist of striking originality, Sam Rivers arrived fully formed on his debut album Fuchsia Swing Song recorded for Blue Note in 1964. Though a strong avant-garde undercurrent flowed through his music, Rivers kept a foot planted firmly in post-bop and the blues on this impressive set of originals including his stunning ballad "Beatrice." This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
2023 release. All Time Low have undeniably carved out their own corner of popular culture. The multi-platinum Maryland quartet have topped charts, sold out arenas worldwide, and served up a series of instantly irresistible anthems in the process. Their catalog consists of five consecutive Top 10 albums on the Billboard Top 200 in addition to picking up multi-platinum, platinum, and gold certifications. Their influence remains pervasive: 5 Seconds of Summer have covered their tunes, Cheat Codes and Pierce the Veil have jumped at the chance to collaborate, and they've contributed music to films by visionaries such as Tim Burton and Diablo Cody. Speaking to their impact, Rolling Stone even named "So Wrong, It's Right" among it's 50 greatest pop punk albums. In 2020, they ascended to a new commercial and critical high watermark with their eighth full-length LP," Wake Up, Sunshine." Following a #1 debut on the Top Rock Albums chart, it spawned the biggest hit of the band's career thus far, "Monsters" [feat. blackbear]. It clinched #1 on the Billboard Alternative Airplay Chart for an unprecedented 18 weeks, emerging as the longest charting song ever at the Modern Rock format. In addition to going platinum, it notably garnered "Alternative Rock Song of the Year" at the 2022 iHeartRadio Music Awards, while superstar Demi Lovato teamed up with the group for the Official Remix. Meanwhile, the mainstream came to them as they delivered show-stopping performances everywhere from Bonnaroo and Firefly to The Late Late Show with James Corden, Jimmy Kimmel Live!, Ellen, Good Morning America, and beyond. Now, All Time Low kick off another era with "Tell Me I'm Alive."
Ultramodern heavy icons KAMELOT reign supreme with their anticipated new studio album, The Awakening! Following decades of top-charting releases and massive international touring, new radio-ready anthem “One More Flag in the Ground” continues the band’s legacy, proving their balanced rock and metal potency and featuring additional vocal layers from JUNO Award winning musician/producer Brian Howes.
After spending the past 20 years in the studio, on concert stages all over the world and at the literal top of the charts, All-American Rejects co-founder Tyson Ritter didn’t start Now More Than Ever in 2018 with the expectation it would turn into a real band – but a real band is very much what it has become. In tandem with veteran musicians/songwriters/producers Scott Chesak and Izzy Fontaine, Ritter has begun a meaningful and exciting new chapter in his music career with Now More Than Ever’s debut album Creatrix, which will be released March 17, 2023, by Thirty Tigers.
To hear Ritter tell it, All-American Rejects’ relationship with the traditional music industry was in many ways the reason he was eager to try something different: simply making music with friends for fun, without any preconceived notions about what would, could or should happen next. In other words, no constraints, no A&Rs, no deadlines and no mandate to sound like anyone or anything other than themselves.
The fact that Ritter and Chesak have known each other for so long certainly helped jumpstart things, as the latter has been a multi-instrumentalist touring member of All-American Rejects since 2011. Chesak later segued into writing and producing for artists such as Weezer and Panic! At The Disco, a skill Ritter has long admired but had difficulty incorporating into his own creative process. As he began thinking about new music, he “definitely knew” he “didn’t want to write in the traditional sense with and for another artist in a studio. Scotty and I just got to talking and decided to write some tunes. It started that innocently.”
“We didn’t have a name, or an idea of being a band, until probably a year after that,” Chesak adds. “We were kind of just writing for the purity of writing and trying to make something cool. There’s a huge folder of songs we made during that time that aren’t part of this project, but three or four of them showed us there was something cohesive there.”
Having spent decades in the same musical scene, Ritter and Chesak were committed to a fresh approach when it came to the sound of their new work. “We were kind of sick of guitar music, because we both come from the rock world,” says Chesak, who handled bass, drums and keyboard duties during the sessions. “So at first we made a rule: Fuck guitars. No guitars!” Quickly they realized their beef wasn’t with guitars per se, but rather the same old sound of the instrument. Enter Izzy Fontaine, who has worked closely behind the scenes with everyone from Taking Back Sunday and Glassjaw to Seal and Banks, and came up in the industry alongside many of the same bands as Ritter and Chesak.
Now More Than Ever shimmers with that spirit of freedom, its nine tracks gracefully surfing the peaks of the past four decades of pop and rock. These are the kinds of songs that used to be on the radio and certainly still should be today – the ones that make you dance, shake your ass and forget about everything else for a while. The breathless electro-rock of “D-E-A-D Together” and the sultry power ballad “Heart To Heart” best embody that vibe, while horn players from Ozomatli add an instant dance party to “Candle.” The ‘80s synth-driven closer “Never You” started life as a Ritter acoustic song but was quickly transformed by Chesak and Fontaine into what’s now the perfect soundtrack for a vintage slow dance prom scene.
To that end, “Heels Up Head Over” explores those themes with a tale about a werewolf and vampire getting married, while lyrical references to the ageless cool of Joan Jett and drunk, young romance make you feel right at home in Now More Than Ever’s company. “This is a record where there was freedom in lyric,” Ritter says. “When you’re on a major label for 15 years, you can succumb to trying to follow your last thing. That can seep into the music in a way that’s so unconscious. The joy of this band is that it’s completely free of any oppressive overlords, ivory towers, approval processes or co-writes that have been manufactured, licked, stamped and thrown onto the assembly line.”
Now More Than Ever is here to help make sure the pillars of pop and rock will never fall, and they’re prepared to go down believing. “This is our little monolith,” Ritter says. “It might be six feet tall amongst giants, but it’s pure. And it’s truth for us. It’s saccharine as fuck, and I love it.”
Did you know that there's a tunnel under Ocean Blvd is the ninth studio album from acclaimed singer-songwriter Lana Del Rey, comprising 16 tracks and interludes with features including Father John Misty, Tommy Genesis, Jon Batiste, Bleachers and more. It follows the prolific artist's 2021 albums Chemtrails Over The Country Club and Blue Banisters.
Sit back and relax by listening to piano renditions of your favorite Disney songs including, "You've Got a Friend in Me," "The Family Madrigal" and more.
Released in May 1972, Honky Château was the album that made Elton John a superstarand ushered in a new era for him.
Named after the residential studios outside Paris where the album was recorded, Honky Château bought a new level of simplicity and directness to Elton’s music that had previously only been seen in glimpses. Shorn of the complexities and ornate orchestrations of his recent work, Honky Chateau seemed freewheeling and intimate. It was helped by Rocket Man, the record which became another of Elton’s signature songs.
These special editions contain the original album, and on both vinyl and CD editions a newly created selection of outtakes from the sessions, produced from the original tapes by Matt Still, which highlight the warmth and humor of the sessions.
On CD only there are eight tracks from the album that were recorded at the Royal Festival Hall in 1972, all receiving their live debut, just a few days back in the UK after recording. Assembled with the customary care by Elton’s catalog team, the album comes as a gatefold with an eight-page booklet with rare photos, memorabilia and an essay by co-curator and music writer Daryl Easlea, featuring interviews from those who were there.
Honky Château has been mastered at Lurssen in California, and the vinyl cut at Abbey Road.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
Additionally, Catch A Fire, originally recorded by The Wailers in Jamaica and eventually released with overdubs and a mix overseen by Island founder Chris Blackwell at the label's London headquarters, will be available in its original Jamaica-recorded version, with two extra tracks from the sessions and some tracks with longer fades.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.
The limited-edition albums were pressed at Tuff Gong's newly refurbished vinyl pressing plant, which re-opened in summer 2020 and will have an annual capacity of 250,000 units.
Each album was mastered by Dave Cooley at Elysian Masters in Los Angeles.
This 2LP vinyl edition of the classic hits collection from 1992 features 16 tracks including "Message In A Bottle," "Walking On The Moon," "Don't Stand So Close To Me," "Every Little Thing She Does Is Magic," "Every Breath You Take," and more. The collection has been remastered at Abbey Road and pressed on heavyweight black vinyl.
*NSYNC’s first album originally released in 1998 now available on black vinyl. The debut smash features 13 tracks including the hits “Tearin’ Up My Heart ” and “ I Want You Back” among others.
The historic Greatest Hits collection now available on vinyl. Featuring 18 classics including “I Want You To Want Me”, “Surrender”, “The Flame” and more. Plus track-by-track liner notes by the band.
Memento Mori is Depeche Mode's 15th studio album and its first as a two-piece lineup of Dave Gahan and Martin Gore, following co-founder Andrew “Fletch” Fletcher’s tragic passing in 2022. Produced by James Ford, with additional production work by Marta Salogni, Memento Mori's gestation took place during the early stages of the Covid pandemic, resulting in themes inspired directly by that period. The album’s 12 tracks chart a vast expanse of moods and textures, from its ominous opening to its closing resolve—running the gamut from paranoia and obsession to catharsis and joy, and hitting myriad points between.
LP in gatefold sleeve, with two posters featuring design by Ian Emes and Gerald Scarfe. Cover design by Aubrey Powell/Hipgnosis and Peter Curzon/Storm Studios. Featuring original 1973 line drawn cover artwork by George Hardie.
Elvis Live 1972 compiles the best of the live tracks from the new 6CD+bluray box set Elvis On Tour. Recorded at 4 Elvis tour dates throughout April 1972, most of these tracks are previously unreleased, and appear here on vinyl for the first time.
Last year BABYMETAL were “sealed” from the world after a successful 10-year journey. Earlier this year, THE OTHER ONE restoration project began to recover the BABYMETAL we never knew existed within a virtual world called the METALVERSE. The concept album releasing March 24, 2023 reveals the other side of the BABYMETAL story that no one knew existed. A total of 10 songs have been discovered within THE OTHER ONE restoration project, in which each song represents each theme of the 10 parallel worlds that seem to exist. Full length audio of each of the 10 songs will finally be revealed when fans get their hands on the album.
"During the pandemic, we started a Patreon page. Through the Patreon page, ten people purchased a song we would write for them after having a zoom chat with the band. The stories we heard in those conversations created foundations for the lyrics that evolved into ten different songs. A year or so later we decided to take them into the studio to create a new album. During the studio sessions, we realized we wanted a song to summarize the process and tell the story of the project. One afternoon during the session we came up with the title “10 Stories High” and matched it up with a melody that Pete and Bryan had recorded earlier on their phones. We really liked how the title added imagery of ten people in a ten-story building living out their own external and internal experiences. It was a perfect summary to the project. After a few hours of tinkering with the music and words we had our title track for the record."
GRAMMY Award-winning trio, Nickel Creek—mandolinist Chris Thile, violinist Sara Watkins and guitarist Sean Watkins—will release Celebrants, their first new album in nine years, March 24 via Thirty Tigers. Along with the album announcement comes the song, “Strangers” - Watch the band perform the song on YouTube. Of the song, Thile shares, “This song is an exploration of the ostensibly rewarding but often awkward, even excruciating act of catching up with an old friend. Can the connection be reforged? Should it be?”
Their fifth studio album, Celebrants marks a highly anticipated return for the beloved trio and explores the inherent dynamics of human connection. Across the 18 tracks, the trio addresses love, friendship and time with lyrics both poetic and plain-spoken, as they see bridges built, crossed, burned and rebuilt. Recorded at Nashville’s RCA Studio A, the album was produced by longtime collaborator Eric Valentine (Queens of the Stone Age, Grace Potter, Weezer) and features Mike Elizondo on bass.
Of the project, the band reflects, “This is a record about embracing the friction inherent in real human connection. We begin the record yearning for and pursuing harmonious connection. We end the record having realized that truly harmonious connection can only be achieved through the dissonance that we’ve spent our entire adult lives trying to avoid.”
In celebration of the release, the band will perform three very special sold-out shows at Nashville’s historic Ryman Auditorium this spring on April 27, 28 and 29.
Together a sum of more than their staggering parts, Nickel Creek revolutionized bluegrass and folk in the early 2000s and ushered in a new era of what we now recognize as Americana music. In a 2020 retrospective entitled, “The Year Folk Broke: How Nickel Creek Made Americana The New Indie Rock,” NPR Music praised, “20 years ago this month, an album arrived that seemed to speak all these languages at once: unafraid to push the boundaries of its primary genre, and packing the musical chops to bring such an eclectic vision to life. Behind it were three musicians just barely old enough to vote” and continued, “That makes Nickel Creek and its unofficial debut a critical point along a storied timeline, one whose innovations offer countless connections between the genre’s origins and its future. Once dubbed ‘progressive newgrassers,’ the three musicians now fit firmly within the ranks of Americana music—however nebulous, layered and diverse that realm may be. They have only themselves to thank.”
After meeting as young children and subsequently earning the respect of the bluegrass circuit for a decade, the trio signed with venerable label, Sugar Hill Records, in 2000 and quickly broke through with their Grammy-nominated, Alison Krauss-produced self-titled LP. Since that effort, the trio has released three more studio albums to date: 2002’s This Side, which won Best Contemporary Folk Album at the 45th Grammy Awards, 2005’s Why Should the Fire Die? and 2014’s A Dotted Line.
Each member of Nickel Creek has also taken part in many outside projects over the years. Thile is a 2012 recipient of a MacArthur Fellowship and served as the host of the American radio variety show Live from Here (formerly A Prairie Home Companion) from 2016 to 2020. He has also released collaborative albums with world-renowned musicians like Yo-Yo Ma, Edgar Meyer, Brad Mehldau and Stuart Duncan as well as six studio albums with his Grammy-winning band, Punch Brothers. Sean Watkins is a co-founder of Watkins Family Hour alongside Sara, who has released three albums and maintains a long-running collaborative show in Los Angeles. Sean has also released a string of solo albums, while Sara’s extracurricular projects include the aforementioned Watkins Family Hour, as well as the Grammy-winning roots trio, I’m With Her, which she co-founded alongside Aoife O’Donovan and Sarah Jarosz. Sara has released four studio albums and has contributed fiddle to recordings by artists like Phoebe Bridgers, the Killers and John Mayer.
Double vinyl LP pressing. Arguably the most gifted Jamaican performer of his generation, Ken Boothe is today widely regarded as a living legend, having recorded innumerable ska, rock steady and reggae classics over a period spanning some 60 years. After making his recording debut in 1962, Ken enjoyed a hugely successful career in Jamaica before achieving international stardom in 1974 with his chart-topping interpretation of 'Everything I Own' and the top 10 follow-up, 'Crying Over You'. Both of these hugely popular tracks feature on this collection, which forms part of Trojan Record's new 'Essential Artist' series, which showcases the best-loved recordings of some of Jamaica's greatest musical talents. This release demonstrates the exceptional vocal talents of one of the finest and most soulful performers to have made their mark on modern popular music scene since the Sixties.
Limited twelve inch vinyl pressing. The debut EP from chart-topping pop singer songwriter, Gayle, is now available on vinyl. a study of the human experience volume one sees Gayle continuing to reveal a larger-than-life personality and willingness to expose her deepest insecurities and desires through her unfiltered yet beautifully nuanced brand of songwriting. Hailed by Rolling Stone as "a summation of Gayle's experiences as a teen, filled with lessons learned and failed friendships," the EP includes the 17-year-old, Nashville-based artist's newly RIAA platinum certified, billion-streaming, worldwide #1 breakthrough hit "ABCDEFU" alongside it's spirited follow-up, "Ur Just Horny".
Apollo’s long-awaited debut album IVORY brings him to another level in his career. Crossing genre lines as well as language barriers, the full-length showcases even greater musical diversity from the already boundless creator. Despite being at this pivotal moment in his career, Omar feels like he’s just getting started. The artist who once called himself “just a kid from Indiana” is breaking new ground, abandoning all comfort zones, and never looking back. Featuring the hit song, “Evergreen.”
Andrew Gabbard has announced the release of his sophomore effort as a solo artist, Cedar City Sweetheart. The songs evoke a familiar feel for fans of his debut album, but new instrumentation and country-leaning lyrics give us a glimpse of another side of Andrew. "I love when a rock band makes a country album, " he explained, pointing to The Byrds as a major source of inspiration. Andrew played every instrument on his solo debut, Homemade. This time around, he called on some local musicians to add color. "Originally, I didn't have access to much recording equipment. I tracked my parts with an iPhone. My friends recorded their parts professionally, so I was able to piece it together and take another stab at recording the core of each song." The final product is a better sounding, polished group of songs that fit together to make a country album.The songs were written over the course of several years, but they're all very fresh in Andrew's mind. "I can remember a specific moment from writing each one of these tunes. They're simple songs that came naturally to me." Even though Andrew has written and contributed on countless albums over the years, this one truly feels like his second. The album is set to release March 24, 2023 on Colemine/Karma Chief Records.
Building on the warm, elemental soundscape of 2021’s ‘Antidotes’ EPs and the moody, elegant timbre of her cello, Chua self-produced and engineered 8 of YIAN’s 10 tracks, spurred on by a call to true artistic integrity and authorship. A deeply introspective and fully realised vessel of creative expression, YIAN emerges as less an album than a worldview, a commitment to learning and uncovering one’s own selfhood honed over Chua’s lifelong reconciliation with her own personal history and identity.
Legendary Tacoma, Washington mathcore/hardcore/metal band Botch’s debut full-length American Nervoso was originally recorded in 1998, eventually becoming one of the most ground-breaking records during a pivotal shift in heavy music. Now, the band’s debut album is set to be re-issued on Sargent House 25 years after its original release. The album features white-hot guitar action, scathing vocals, sweet bass moves, and torrential drums, smashing existing precepts of hardcore and redefining both the word and the music for a generation of kids and grizzled vets alike. Bassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time before playing their final show on June 15, 2002. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup. Over 20 years since they played their final show, Botch are reuniting for select dates in the Pacific Northwest in February 2023
Vinyl LP pressing. Ready is the third studio album by R&B recording artist Trey Songz, originally released in 2009. The album serves as the sequel to Trey Day (2007). Production for the album took place from 2008 to 2009, which was contributed by Songz's longtime collaborator and his mentor Troy Taylor, along with Bryan-Michael Cox, StarGate and Los da Mystro, among others.
The time is now for Caroline Rose. Their last record, Superstar, was released on March 6, 2020. The record was critically acclaimed and positioned Rose as the next big breakthrough in music. Needless to say, the resulting pandemic grinded all momentum to a halt while at the same time throwing Rose’s personal life into turmoil. The result of that turmoil is the fuel that fired the creation of their latest album, The Art of Forgetting. With The Art of Forgetting, Rose took on the dual role of writer and producer. The album encapsulates the feeling of experiencing recent memories, having them turn into old ones and then ultimately forgetting those memories altogether. There is a romantic nature within the sonic landscape of this record. Tape effects and loops emulate the feeling of aging while the juxtaposition of modern acoustic-electronic textures, like lo-fi tape next to hi-fi granular synths result in some of their most mature and honest work to date.
Celebrated alt-pop project Dizzy are back with their new self-titled album, produced by David Pramik (Selena Gomez, chloe moriondo). Singles have been featured by Dork, Line of Best Fit, Under the Radar, Brooklyn Vegan, The Independent, Ones to Watch, and BBC Radio 1 & 2. Dizzy has released two albums so far, 2018’s Baby Teeth and 2020’s The Sun and Her Scorch. Both albums received critical acclaim and were nominated for Canada’s Juno Award for Alternative Album of the Year, which Baby Teeth won.
Hailing from Los Angeles with an arsenal of songs as varied as the American landscape itself, PJ Western creates music of contradictions. His tripped out pop-rock psychedelia evokes a haze of 60’s AM radio as heard emanating from someone else’s car window. Here I Go, Western’s debut album, recorded during the lockdown we all endured, was written in dreams. In visions. Wild but refined, classic but modern. The album is a lot like the man who wrote it: complex, celebratory, grateful. Recorded in LA with the help of some of the finest musicians the city has to offer, Here I Go offers a perspective of the city as heard through the ears of a precocious outsider – someone who may call the city home, but also can’t quite shake the suspicion he might not belong in the Hollywood Hills surrounding him.
Recorded by Dan Auerbach at Easy Eye Sound studio, Tell Everybody! (21st Century Juke Joint Blues From Easy Eye Sound) spans the diverse blues spectrum, a payment of respect and admiration for the musicians carrying this American tradition into this century and beyond. Includes new recordings from Dan Auerbach, The Black Keys, RL Boyce, Gabe Carter, Robert Finley, Jimmy "Duck" Holmes, Moonrisers, Nat Myers, Glenn Schwartz feat. Joe Walsh, and Leo "Bud" Welch.
‘VOLCANO’ follows Jungle’s previous album ‘Loving In Stereo’, which proved to be a landmark moment for the acclaimed UK duo. It achieved their highest domestic UK chart position to date debuting at #3, while also achieving their best ever album chart positions in key international territories such as Australia, Germany, Switzerland, Belgium, Netherlands; and in the US it catapulted to #1 on the Billboard Dance Albums chart which led to major Arena shows as guests to Billie Eilish. The free-spirited energy that runs right through ‘VOLCANO’ reflects how organically it came together. J and T had written most of the record on tour before starting the recording process while staying in an Airbnb in Los Angeles. It was later completed back home in London at their favourite location, Studio B at Metropolis Studios. This time around, the duo wanted to include a wider variety of voices within the album. In addition to Erick The Architect, they reunited with Bas (who previously featured on the ‘Loving In Stereo’ single ‘Romeo’) for ‘Pretty Little Thing’, as well as calling on talents in the shape of Roots Manuva, Channel Tres and JNR Williams.
Indie Exclusive * First time on colored vinyl * Chemistry is the first collaborative studio album by Black Moon front man Buckshot and producer 9th Wonder. It was originally released on June 21, 2005 through Duck Down Music as a part of the label's "Triple Threat Campaign", preceded by Sean Price's Monkey Barz and followed by Smif-N-Wessun's Reloaded. Production was handled entirely by 9th Wonder and features guest appearances from Keisha Shontelle, Little Brother's Big Pooh & Phonte, Joe Scudda, L.E.G.A.C.Y., Sean Price and O.G.C.'s Starang Wondah. This will be the first time the record has been pressed since the original pressing in 2005.
Indie Exclusive * Sometimes the album title says it all. Featuring Jadakiss, Fat Joe, Lil Wayne, Birdman, and Bun B This is the humble beginnings of the now household name super producer DJ Kahlid.
"Indie Exclusive * In the mid-2000s The Diplomats were nearly unstoppable. The hip hop collective formed in the late 90s by Cam’ron along with childhood friend Jim Jones had grown in both membership and influence. Though solo efforts by Dipset members were abundant, only two full length Diplomats projects were issued during this
heyday. Diplomatic Immunity 2 was first issued in 2004 filled to the top with verses from J.R. Writer, Juelz Santana, 40 Call, Hell Rell and of course both Jim Jones and Cam’Ron. The vinyl issue of the release was minimal and mainly a clean/promo only version, so the demand from Dipset/vinyl fans has never been fully
satisfied. The album hit a respectful position on the Billboard Top 200 chart while landing top 10 on the R&B/Hip Hop album chart and securing the number 3 slot on the Independent Album chart."
Indie Exclusive * John “Illa J” Yancey, younger brother of late, great genius producer James Yancey (aka Jay Dee, J Dilla), is currently completing his debut album for Delicious Vinyl. With the multi-talented Illa J rhyming and singing over a treasure trove of previously untouched Jay Dee gems, the project represents both a full-circle collaboration and a whole new beginning in the story of the musically exceptional Yancey brothers. When Jay Dee passed away from complications relating to lupus in February 2006, he left behind an extraordinary legacy of production work, including hits for Common, Janet Jackson, and Busta Rhymes. One mother lode of previously untouched beats dates from his time working on the Pharcyde’s sophomore album “Labcabincalifornia” (1995). As DV owner and founder Michael Ross explains, “From ‘95 through ‘98 Jay Dee was my go-to guy for hot beats and remixes. He was always making beats, always. So there was a select amount of tracks that he composed for me during that time, tracks as good as anything he’d done, only they never got used. When I finally met Illa J last year, I gave him a CD containing those unreleased beats.” It was a case of pure serendipity, since 21-year-old Illa J had just relocated to Los Angeles and constructed a studio built around Jay Dee’s own recording equipment, dubbing it Yancey Boy Studios in tribute to their fraternal bond. “Dilla was twelve years older than me,” Illa J says. “So back in the day in Detroit I was just a little kid, sitting on the stairs in our house, watching him make those first beats for Slum Village. So I always felt my brother’s tracks and had an instinct for what I wanted to do over them.” When Illa J set to work in early 2008 on recording the album, the project flowed quickly as he entered the proverbial can’t-miss zone. As Illa J says, “One of the things I learned from my brother is that you don’t get that much time, so make the most of it. That’s why I’ve decided to dedicate my life to doing what I love: music. To work with Delicious, the label that released those hits my brother made with The Pharcyde (“Runnin’” and “Drop”) is really special.” Michael Ross says, “Illa J can write, sing, play instruments and rap. Not just a little bit of each, he’s really the complete package! And anyone who loves Jay Dee’s music is going to flip out when they hear what Illa J’s been laying down. For over a decade these beats have been waiting in the vault for this moment. It’s like Jay Dee made these tracks with an extrasensory purpose, so that Illa J could make this album. There is no question that this is exactly what they were meant for. These beats belong to Illa J, they’re his birthright, and I really believe Jay Dee would be proud of what his brother is doing.”
Indie Exclusive * Rock Konducta is the fifth installment in Madlib’s Beat Konducta series. Previous entries include: Beat Konducta : Movie Scenes, Beat Konducta: in India, Beat Konducta: Dil Cosby and Dil Withers Suites and Beat Konducta in Africa. Rock Konducta grabs its source material from various worldwide rock scenes from the 60s through the 80s, from American psychedelia to Germany’s krautrock to acid-soaked Spanish prog to synthy, early-80s oddities. Tied together by Madlib’s unique sensibility, these scenes coalesce into a new whole. Who knew that rock music sounded like this? Well, there’s one obvious answer to that question.
AOI: Bionix is de la Soul's sixth full length album, released on December 4, 2001. The first single, "Baby Phat" featuring Yummy Bingham and Devin the Dude, was an ode to larger sized women. Elsewhere, "Held Down", featuring Cee-Lo, found Posdnuos in an introspective mood as he mused on fatherhood, religion, and fame. Slick Rick also made an appearance on "What We Do (For Love)"; a humorous song about puberty and sexual discovery. The album featured skits with a character by the name of Reverend Do Good, which worked as social commentary as well as the intros and outros of the songs. The final Reverend Do Good skit acts as one final advertisement for Ghost Weed as heard on de la Soul's previous album, Art Official Intelligence: Mosaic Thump.
Over the past 20 years, The New Pornographers have proven themselves one of the most excellent bands in indie rock. They've constantly offered new sonic surprises with every album, and Continue as a Guest is their greatest leap to date. The group's ninth album and first for Merge establishes them alongside modern luminaries like Yo La Tengo and Superchunk when it comes to their ability to evolve while still retaining what made them so special in the first place. A dazzling and intriguing collection of songs that are truly built to last, Continue as a Guest finds bandleader A.C. Newman and his compatriots Neko Case, Kathryn Calder, John Collins, Todd Fancey, and Joe Seiders exploring fresh territory and shattering the barriers of their collective comfort zone.
Did you know that miracles happen every day? We don’t alwayssee it that way. We look at the state of the world and think, “It’ll be a miracle if we make it out alive.” But miracles are what humans do. We’re Earth’s most inventive and unpredictablespecies, when we’re allowed to be. Also the most destructive. Miracle-Level is Deerhoof’s mystical manifesto on creativity andtrust. It celebrates the infinite small wonders of existence that spontaneously present themselves, when not obstructed by our death-driven masters.
Musically, Miracle-Level is vulnerable, brave, and brimming with spicy surprises. Deerhoof’s 19th album is also their their first tobe recorded and mixed in a recording studio. Production was entrusted to Mike Bridavsky, at No Fun Club in Winnipeg, Manitoba. This is also their first album written entirely in Satomi’s native language. Deerhoof once again speak in asecret code that only their fans understand, in which hooksabound, and genre is nonexistent.
The Love Still Held Me Near was born out of unimaginable loss and the subsequent journey through the grief and heartache that followed. It’s about digging deep down into yourself and attempting to unearth hope and light in the things that can comfort you through those times. For me that has always been writing and recording music, so that’s exactly what I did. - Dallas Green / City and Colour
Remastered vinyl reissue of the rock supergroup’s debut album from 2001 featuring Mike Patton (Faith No More, Mr. Bungle), Duane Denison (Jesus Lizard), John Stanier (Battles, Helmet) and Kevin Rutmanis (Melvins). This is the first time the out-of-print vinyl has ever been available individually.
Vinyl reissue of the rock supergroup’s fourth album from 2013 featuring Mike Patton (Faith No More, Mr. Bungle), Duane Denison (Jesus Lizard), John Stanier (Battles, Helmet) and Trevor Dunn (Mr. Bungle). The album has been out of print for almost ten years and is now back in limited variants.
Vinyl LP pressing. Al Green Explores Your Mind is the eighth album by soul singer Al Green, originally released in 1974. Includes the U.S. #7 hit "Sha-La-La (Make Me Happy)" and the original version of "Take Me to the River", later covered by Talking Heads.
Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD’s sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc — one half of the sibling rap duo — passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it.
The 1999 release of Operation: Doomsday marked MF DOOM’s official debut, reintroducing a mysterious figure who would soon become one of underground rap’s greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM’s tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched — from cartoon theme songs, to ‘80s soul, to rap classics and more — got reinterpreted into something brand new and surreal.
Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.
To celebrate the 50th anniversary of the ESSENTIAL Iggy & The Stooges- Raw Power we’re proud to offer the pressing on gold vinyl. Includes both the original 1973 David Bowie mix and the 1997 remix of the album.
One of Rolling Stone's 500 Greatest Albums of All Time, Alice Coltrane's 4th Impulse! album finds her on piano and harp in the company of saxophonist Pharoah Sanders. "Almost 50 years after [it] was released, the album remains a vision of universal healing, spiritual self-preservation in times of trouble and the god that appears when you seek her out." (NPR). Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Recorded at the band's show at the world-famous Wembley Stadium on 6th July 2019, The Who performed many of their greatest hits as well as songs from their acclaimed recent studio album with the help of the Isobel Griffiths Ltd Orchestra, which gave a new perspective to some of their best-loved material.
This release is available as a 2-CD + Blu-Ray containing an Atmos mix of the entire album and a 3-LP black vinyl edition. Both are housed in a trifold sleeve with an extensive booklet containing multiple photos from rehearsals, backstage, and the show.
The 1966 album represented a milestone for The Rolling Stones as it was the first to consist solely of Jagger/Richards original songs. The U.S. version was fleshed out with hit single classics like “Paint It Black,” an eerily insistent #1 hit graced by some of the best-ever use of sitar (played by Brian Jones). Aftermath also strongly features the baroque charm of “Lady Jane.” 180-gram LP.
During the 1980 spring/summer tour, Frank Zappa played a set at his favorite NYC nightclub - the famous Mudd Club. Zappa adored the place and ever wrote a song dedicated to it. The complete performance is included on two 45rpm 180-gram vinyl LPs and mastered by Bernie Grundman in 2022. The package features photography and memoir from George Alper (who worked for Frank Zappa and was at the event), along with liner notes from Arthur Barrow, Steve Vai and `Vaultmeister' Joe Travers.
This historic 1980 Munich concert has the distinction of being the first-ever live, direct-to-digital stereo recording of Zappa. The show was the last of the spring/summer tour with the group playing at peak performance. The entire show is featured on three 180-gram LPs and mastered by Bernie Grundman in 2022. The package features photography and memoir from George Alper (who worked for Frank Zappa), along with liner notes from Arthur Barrow and `Vaultmeister' Joe Travers.
Vinyl LP pressing. Greatest Country Hits highlights a combination of songs from Tanya Tucker's earliest chart entries in the '70s - "Lizzie and the Rainman," "San Antonio Stroll," and "Texas (When I Die)" - along with those recorded for Liberty in the '80s, "One Love at a Time," "I'll Come Back as Another Woman," and "Love Me Like You Used To."
Isaiah Rashad returns with The House Is Burning, a mesmerizing album full of emotional raps, dream-like production, and guest appearances from Lil Uzi Vert, SZA, Duke Deuce, 6LACK, Smino, and more. It’s been over five years since the release of his critically acclaimed album The Sun’s Tirade, but this new record reaffirms Rashad’s status as one of rap’s most gifted storytellers. The project is varied and diverse, showcasing Rashad’s comfort in a host of different themes and moods. He veers between reflective and braggadocious as he unpacks troubling thoughts and ephemeral thrills over soundscapes from Kal Banx, Hollywood Cole, Kenny Beats, and more. On standout “From the Garden,” Rashad flaunts an intricate flow as he trades quick-fire flexes with Lil Uzi Vert, making for a song that begs to be shouted. The single “Headshots (4r Da Locals),” by contrast, finds Rashad in an introspective space, murmuring as he reflects on battles with addiction and past trauma. Other tracks, like “Wat U Sed” offer up dazed croons and low-key bounce. Each song is distinct from the last, forming a vibrant tapestry of sounds. The range speaks to the breadth of his experience—all the lessons learned and life lived in the five years between The Sun’s Tirade and The House Is Burning. Sifting through his psyche and further refining his raps, Rashad’s latest represents a new peak for the gifted artist. “This album was difficult,” he says. “Music is where I go to express myself. It’s what I do to close a chapter. You know what’s crazy? I’m not even ashamed to say it, I really think my albums aren’t different from each other. It’s just me every time and eventually, one of my albums will become a classic.”
With Ask, the Amsterdam-based sextet Altin Gün marks an exuberant return to the 70s Anatolian folk-rock sound that characterized their first two albums, On (2018) and Gece (2019). It is also the closest the band have come so far to capturing the infectious energy of their live performances. “We took a very traditional approach to recording a rock album, like in the 70s,” bassist Jasper Verhulst says, with the band using vintage recording equipment to give the set a warm, welcoming sound.
The album companion to the critically acclaimed film by Brett Morgen. Features unheard versions, live tracks & mixes created exclusively for the film on vinyl for the first time. MOONAGE DAYDREAM illuminates the life and genius of David Bowie, one of the most prolific and influential artists of our time. Told through sublime, kaleidoscopic, never-before-seen footage, performances and music, Morgen’s (The Kid Stays in the Picture, Kurt Cobain: Montage of Heck, Jane) feature-length experiential cinematic odyssey explores Bowie’s creative, musical and spiritual journey. The film is guided by Bowie’s narration and is the first officially sanctioned film on the artist. The companion album to MOONAGE DAYDREAM features songs spanning Bowie’s career and includes previously unheard material, unique mixes created for the film and this release, along with dialogue from Bowie himself. Highlights include a previously unreleased live medley of 'The Jean Genie / Love Me Do / The Jean Genie” recorded live at the final Ziggy Stardust concert at Hammersmith Odeon in 1973, featuring Jeff Beck on guitar. Other rarities include an early version of the Hunky Dory favorite “Quicksand” and a previously unreleased live version of “Rock ’n’ Roll With Me” from the legendary 1974 Soul Tour.
London Brew is inspired by Miles Davis’ album, Bitches Brew. Recorded in December 2020 at The Church Studios, this three-day recording session brings together 12 London based artists: Benji B, Raven Bush, Theon Cross, Nubya Garcia, Tom Herbert, Shabaka Hutchings, Nikolaj Torp Larsen, Dave Okumu, Nick Ramm, Dan See, Tom Skinner, Martin Terefe. These original recordings celebrate the 50th Anniversary of Bitches Brew. Available as a 2-LP set, 2-CD & digitally.
2023 release. The title of the sixth album from Californian singer-songwriter Nick Waterhouse is more than just the name of one of it's tracks. The Fooler is both a clue and a red herring. The Fooler is the observed and the observer, narrator and subject, truth and lie. The Fooler is the shadow and reflection of a city the artist knows sufficiently well to wander with his eyes closed, and a place which very possibly never even existed. The Fooler is not so much an unreliable narrator as a constantly shifting perspective. The Fooler is the new album by Nick Waterhouse, and it's a lot. Recorded by Mark Neill (Black Keys; Los Straightjackets; Dave Cobb) in Valdosta, Georgia, it's a song-cycle of sorts, the arc of the album telling a tale of a city and it's denizens. The result is a record that offers up new riches and fresh perspectives with every spin. From the hidden corners of 'Hide & Seek' and the roadhouse soul of 'Play To Win' to the primitive, attitudinal, chugging two-chord thrill of 'Late In The Garden', it builds inexorably to the drama of the title track and pulsing roll-and-rock of the final pay off, 'Unreal, Immaterial'. Play it once and it sounds immediately like a collection of great songs. Play it again - and you will - and it feels like a novel or film slowly unveiling it's secrets, kaleidoscopic in it's narrative complexity. "Especially during this record, I started just becoming what Allen Ginsberg called a pure breath," says the artist. "I was becoming pure breath with my ideas."
Samiam are a post punk/indie rock institution. Forming almost three decades ago, the group moulded their unique style playing early on with bands like Jawbreaker, Seaweed, Green Day and Bad Religion.Over the years, they had mainstream radio play with songs like“Capsized”and “She Found You”, released eight full-length albums and continue to play to passionate fans all over the world. Started by Jason Beebout (vocals) and Sergie Loobkoff (guitar) in 1988, the band’s current lineup also features longtime guitarist/vocalist Sean Kennerly as well as more recent additions of bassist Chad Darby and drummer Colin Brooks.They have refined their brand of post-hardcore/alternative/emo/indie rock over the years and are just as powerful now as they were during their heyday in the late nineties. If anything, they sound more relevant than ever before
Scott McMicken has always thrived on switching things up. As a founding member of Philadelphia rock mainstays Dr. Dog, McMicken and his bandmates consistently explored new sounds and new ways of writing songs across 10 gleefully eclectic albums before their 2021 hiatus. While McMicken has quietly released solo projects via cassette and vinyl on his own label Press On Records, for his latest effort, he’s done something he’s only done once before: started a band. With Shabang, out March 31, 2023, via ANTI-, comes the debut album from Scott McMicken and THE EVER-EXPANDING, and he’s made some of his freest and most adventurous music yet: a wonderfully collabora- tive collection of songs that feel lived in and true. By being present and living with these musicians (quite literally: McMicken and collaborator Michael Nau stayed in tents outside the studio) united under one com- mon goal, Shabang is full of life and endlessly candid. “I knew nothing good will come of this unless I am totally free and away from any pres- sure and pretense,” says McMicken. “Such an incredible spectrum of emotion passed through me while making this album. There was this lightness and un-self seriousness. I feel like music and life cruises at that spot: everybody was so wholeheartedly invested and open.”
“Different Game”, is the long-awaited follow-up to their critically-acclaimed 2015 release “Still Got That Hunger”, which charted in Billboard’s Top 100 and SoundScanned over 12k units in America alone.
The band began working on this album in 2019, shortly after their Rock & Roll Hall of Fame induction, but it was delayed by the Pandemic - they strongly prefer to record together and capture a live band performance in the studio (just as they had to do in the 1960’s). They were not willing to make this album remotely.
This album is the current-day Zombies were meant to make. It has the vintage qualities that made them stand out in the 1960’s, yet still sounds modern, and reflects their continued development as songwriters and musicians. 9 of the 10 tracks are written by Rod Argent, with the closer “The Sun Will Rise Again” by Colin Blunstone. Rod produced the album (with engineer Dale Hanson), which includes a small string ensemble on 3 tracks. Rod arranged the strings for 2 of the songs (“Different Game” and “You Could Be My Love”), with the 3rd (“I Want To Fly”) by Chris Gunning (who scored the legendary string arrangements for Colin’s 1971 debut solo album “One Year”).
The Valley of Vision is a 27-minute, breakthrough salvo of six songs that finds the band re-inspired once again, & is accompanied by an album length film shot in VR + 3D computed radiography technology. Andy Hull was inspired to start writing the record while rummaging around in his suitcase looking for his lyric notebook & instead found The Valley of Vision, a 1975 book of old Puritan prayers his mom had given to him the previous Christmas. Capital Karma is the first new music from the project.
HOPE is the 5th studio album from Billboard chart-topping, multi-platinum rapper, NF. Known for rapping quick-witted lyrics over hip hop beats & cinematic production, NF has built a loyal fanbase that has earned him over 30 billion global streams & established NF as one of the most consumed artists today. NF’s HOPE is a 13-track album boasting instant hits, such as “HAPPY” “MOTTO” & notable Grammy-nominated features with singer/songwriter Julia Michaels on “GONE,” & rapper Cordae on “CAREFUL”.
Multi-platinum, Grammy Award-winning singer/songwriter/multi-instrumentalist/producer Daniel Caesar effortlessly floats across the gamut of contemporary R&B with his third studio album NEVER ENOUGH. Led by the singles "Do You Like Me?" (co-produced with Dylan Wiggins + Raphael Saadiq) and "Let Me Go" (co-produced with Rami Yacoub + Sevn Thomas), the Canadian savant touches on the inevitability of time and human error.
Pushing forward with the intensely self-aware truth-telling he’s always brought to his music, Ruston Kelly immersed himself in the making of The Weakness: a blisteringly honest, but profoundly hopeful album that reveals our potential to create strength and beauty from painful experiences. “I hope this music helps people become the hero of their own lives by understanding their own weaknesses, and I hope it helps them to see that tragedy doesn’t have to be the period at the end of the sentence.”
LP x 2, 140 gram black vinyl in custom printed sleeves in a customer printed jacket. de la Soul quickly became one of the most revered, game-changing artists in hip-hop and forever cemented their legacy in the hearts and minds of fans around the world. Despite their rapid success and recognition, de la Soul continued to prove themselves as one of the most original, authentic and creative groups in hip-hop, with the release of their sophomore album, de la Soul is Dead on May 14, 1991. Featuring once again, the production of visionary producer Prince Paul, their second album further fanned the flames; landing on charts around the world, receiving a five-mic rating in The Source and securing Gold status by the RIAA. To this day, the project is considered one of the groups best albums to date, having left fans with several certified classics like, "A Roller Skating Jam Named Saturdays", "Ring, Ring, Ring (Ha Ha Hey)" and "Keepin' the Faith".
Long Cool World is a blissful collection of instrumental folk tunes from Patrick McDermott and Barry Walker. This is the studio follow up to 2020's well-received, Roped In, which was covered by Uncut, Pitchfork, Shindig!, No Depression, Flood, LA Times, Glide, Mojo, and Aquarium Drunkard .
Where Roped In was constructed in isolation with the two partners sharing their parts digitally, Long Cool World is the second collaboration for the song writing duo but the first where they actually recorded together in person, attempting to inject a more human element to the overall sound.
North Americans continue to tip-toe the line between folk and ambient, carving out their space in the cosmic pastoral genre. Their ultimate goal being to mimic the rhythm and beauty of the small everyday moments in our lives.
RIYL: Rose City, William Tyler, Silver Jews, Karen Dalton, Richard Thompson, Kevin Morby, Bill Callahan
Meteora, Linkin Park’s ground-breaking second album, was released in March 2003 and included the global hit singles “Somewhere I Belong”, “Faint”, “Numb”, “Breaking The Habit” and “From The Inside.” It has sold over 8 million copies in the US and has been certified multi-platinum, platinum, or gold in 15 countries. To mark the 20th anniversary of this landmark release, it is being re-issued in multiple formats: Limited Edition Super Deluxe Box Set, 4 LP Deluxe Vinyl Box, 3-disc Deluxe CD and digital: all containing a wealth of previously unreleased or rare tracks. Among the unreleased tracks are several gems unknown to Linkin Park fans, including “Lost” - a fully realized track from the 2002 album recording sessions featuring stunning vocals from Chester Bennington. The Super Deluxe Box contains 5 LPs, 4 CDs and 3 DVDs: VINYL: Meteora, Live In Texas – the full concert released on vinyl for the first time, and Live in Nottingham 2003, an unreleased legendary live concert from March 2003. The two live albums on vinyl are exclusive to the Super Deluxe Edition CD: Meteora, LPU Rarities 2.0, Live Rarities 2003-2004, Lost Demos DVD: 4 previously unreleased concerts, plus the new “Work In Progress” lifestyle documentary. The beautifully designed box also includes many exclusive contents: 40-page book with band commentary, 36 x 24 poster, sticker sheet, stencil, and 12 x 12 litho designed by Delta: the renowned street artist featured on the album cover. The 4-LP Deluxe Vinyl Box and 3 CD formats include: Meteora, plus LPU Rarities 2.0 and Live Rarities 2003-2004 (unavailable on vinyl elsewhere).
KISS's fifth authorized Soundboard live release is from the November 28, 1984 Animalize Tour show from the Mid-Hudson Civic Arena in Poughkeepsie, NY featuring the only known soundboard recording with Mark St. John. "Young And Wasted" and "Rock And Roll All Nite" are unfortunately incomplete recordings but due to the historical importance of this show with Mark we hope you all rock out to this as hard as we have. Available on 2LP 180G black vinyl.
After seven years, Daughter are back – a generational band with well over 1 billion streams across three records. Since their debut in 2013, Elena Tonra’s intimate, crushingly honest lyrics have been a lifeline for the band’s fans, whilst also finding a gateway to the likes of alternative giants Phoebe Bridgers and Bon Iver. ‘Be On Your Way’ is warmly optimistic in tone, finding a lightness in Tonra’s poetry, whilst still desperately evoking an emotional resonance unmatched in the alternative space.
Limited Loser Edition on shiny gray matter colored vinyl.. The world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured COVID. The apocalypse is stupider than anyone could've predicted.Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle & Pop! In Seattle with longtime producer Johnny Sangster.From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix ("Cry Me An Atmospheric River") to a driving rock and roll song about taking drugs meant for livestock ("Here Comes the Flood") to a classic punk attack on treating humans like livestock ("Human Stock Capital"), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020's. It also contains a genuine love song in closing track "Little Dogs," an ode to the simple joys of hanging out with tiny canines.Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm's sharply funny lyrics as potent a combination as they've been since the band's formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm's answer is simple."We like each other and we like being in a band together," says Arm. "Some people have poker night or whatever the fuck, and they have the excuse to get together with their friends. For us, this [band] is that. This is what we do."
After making tsunami level waves in the industry after his 6 track appearance on Dr. Dre’s latest album, Compton–Los Angeles’s Anderson .Paak returns with his brand new LP, Malibu. After a whirlwind of press, accolades, performances and studio sessions with greats, Anderson .Paak took all those experiences and stirred them into his pot to formulate the silky-smooth Malibu album. The follow-up to 2014’s Venice features appearances from The Game, ScHoolboy Q, Talib Kweli, Rapsody, and BJ The Chicago Kid. The sonic backdrop to the album was provided by some of today’s hottest producers from 9th Wonder, Kaytranada, Madlib, Hi-Tek, RobertGlasper, DJ Khalil and more. With the good Dr.’s co-sign, Anderson’s talent, and his captivating live show, Malibu is sure to make Anderson .Paak a household name very soon.
Higher Than Heaven is the eagerly anticipated 5th studio album from multiplatinum British superstar Ellie Goulding. Enlisting some of pop music’s finest (including Greg Kurstin, Koz, and Andrew Wells), the record sees Ellie put her own spin on modern pop music. It’s jam packed with infectious hits that see her signature vocals take center stage while the production is pop music at its finest – stomping basslines, soaring synths and euphoric melodies. Indie Exclusive Signed Eco Mix LP. Random Color. Limited Edition.
For nearly five decades, Dungeons & Dragons has inspired generations of creative people to make movies, novels and, yes, music. Now that relationship is even more distinct with the release today of an album of music created by cutting-edge bands and musical acts all inspired by Spelljammer: Adventures in Space. The far-out storytelling in the world’s greatest roleplaying game’s latest offering is fertile ground for composing some of the most original songs you’ll hear this year from bands like Magic Sword, Shabazz Palaces and OSEES. Spelljams features a double LP’s worth of tracks from artists all produced by Chris Funk, guitarist from The Decemberists who plays D&D with many folks in the music scene in Portland, Oregon. Chris Perkins, story architect at D&D and lead designer of Spelljammer, worked with Funk to bring the Flash Gordon-esque soundtrack to life.
A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter/vocalist/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet’s new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album’s ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman’s voice slicing through the din.
Rat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It’s not really bright enough to see in front of you, but in that stretch of inky void – somehow – you see everything.
The songs on Rat Saw God don’t recount epics, just the everyday. They’re true, they’re real life, blurry and chaotic and strange – which is in-line with Hartzman’s own ethos: “Everyone’s story is worthy,” she says, plainly. “Literally every life story is worth writing down, because people are so fascinating.”
Overcoats, the inventive duo compromised of JJ Mitchell and Hana Elion, have announced their forthcoming eagerly awaited new studio album, Winner, set for release on April 7th via their imprint, Never Fall Back Records, distributed by Thirty Tigers.
The new album Winner was produced by two-time Grammy-winner Daniel Tashian (a co-producer on Kacey Musgraves’s widely acclaimed Golden Hour), and exhibits a graceful musicality first displayed on Overcoats’ debut album YOUNG (a 2017 release that earned praise from the likes of The New York Times and NPR Music, who placed it at #4 on its best-of-the-year list). As a bold departure from YOUNG’s sparse electronic pop and the atmospheric indie-rock of The Fight (a 2020 release that nabbed them a Breakthrough Artist nomination from the American Association of Independent Music), the album encompasses a warm and luminous sound sculpted from a tightly curated mix of elements: earthy guitar tones, elegantly rugged textures, and the duo’s heavenly harmonies. In staying true to their origins, Overcoats also incorporated frenetic beats that perfectly echo New York’s pulsating electricity. In November, Overcoats released their first new song since 2021, “Horsegirl”, also featured on the upcoming new album. Produced and co-written with Day Wave, the lilting, dreamy “Horsegirl” sees Overcoats crafting a hypnotic, hum-in-the-sun pop song. The video was directed by Overcoats and Casey Pierce and sees the pair in the lush fields of Amy Grant’s Tennessee farm doing a single take sing-a-long, wearing prairie inspired vintage dresses from Nashville’s Starstruck Vintage.
Having previously toured with such notable artists as Mitski, Maggie Rogers, Cold War Kids, Tennis and The Japanese House, Overcoats look forward to returning to the road this spring. 2023 promises to be a significant year for the acclaimed band, with more new music to be unveiled over the coming weeks.
Devon Church is a singer-songwriter hailing from Winnipeg, Manitoba and based in New York City. He was, for many years, a multi-instrumentalist, co-writer and producer of the dreampop duo Exitmusic, whose album, Passage (Secretly Canadian), Pitchfork described as “insurgent, cinematic, and sometimes brilliant.” In 2018, the same year that Exitmusic released it’s swan song, The Recognitions (felte), Church released his solo debut, We Are Inextricable (felte), which employed the textural electronic elements he had harnessed during the Exitmusic years in the service of a songwriting style rooted in the folk rock tradition, with deep nods to Cohen and Dylan. The results, according to Allmusic, were both “affecting and musically inventive.” Having gigged throughout the US in 2019 (opening for the likes of Orville Peck, Adam Green, Kirin J Callinan and Black Marble) Church set to work recording his latest offering, Strange Strangers, while seeking refuge from the global pandemic in a barn in rural Pennsylvania.
Indie Exclusive * The spirit of Count Basie lives on in the swingin'-est musical collaboration this side of late-night featuring Terence Blanchard, Talib Kweli, Nicholas Payton, Cimafunk & more. The spirit, prestige, and musicianship established by Basie lives on, and his influence is felt especially in the bands that dominate the late-night television landscape. Pressed on an exclusive turquoise vinyl, this new celebration of Count Basie captures the essence of the legend of late-night.
A Rothko-esque color field set to music, The Window Is The Dream ventures even deeper into Horn’s inner space than her stark, acclaimed debut Optimism, which earned her an ‘artist to watch’ tag from The Guardian upon its release last year. For her second record, Horn travelled to upstate New York to record with a few musical touchstones in mind: the electro-primitivism of the Silver Apples, austere rhythm kings This Heat and The Raincoats’ time-bending Odyshape, however the resulting 10 songs are an entry into a world which is very much her own.
Angelo is an EP, named after a car, featuring nine songs Brijean have crafted and carried with them through a period of profound change, loss, and relocation. It finds percussionist/singer Brijean Murphy and multi-instrumentalist/producer Doug Stuart processing the impossible the only way they know how: through rhythm and move-ment. The months surrounding the acclaimed release of Feelings, their full-length Ghostly International debut in 2021 which celebrated tender self-reflection and new possibilities, rang bittersweet with the absence of touring and the sudden passing of Murphy’s father and both of Stuart’s parents. In a haze of heartache, the duo left the Bay Area to be near family, resetting in four cities in under two years. Their to-go rig became their traveling studio and these tracks, along with Angelo, became their few constants. Whereas Feelings formed over collaborative jams with friends, Angelo’s sessions presented Murphy and Stuart a chance to record at their most intimate, “to get us out of our grief and into our bodies,” says Murphy. They explored new moods and styles, reaching for effervescent dance tempos and technicolor backdrops, vibrant hues in contrast to their more somber human experiences. Angelo beams with positivity and creative renewal — a resourceful, collective answer to “what happens now?”
Ever since their emergence in early 2016 HMLTD, avid advocates of the Gesamtkunstwerk, have always striven to give audiences more. On their wildly ambitious second album, they are realising these aims on a truly epic scale.Created over the course of two years with a cast of 47 musicians – including a gospel choir and a 16-piece string orchestra – The Worm is less a concept album than a fully-fledged musical universe, transcending genre and medium. Set in a disorienting anachronistic version of Medieval England – as steeped in dystopian sci-fi fantasy as it is folklore and Old English mythology – it’s part political polemic, part deeply moving psychological journey.Though always admired for their defiantly genre-agnostic approach, The Worm sees HMLTD pushing sonic experimentation to a whole new level, from dissonant free jazz riffing to vintage soul and English folk fusions to rock opera. Major musical touchpoints included Stravinsky’s ‘Rite Of Spring’, Pink Floyd and Nina Simone’s rendition of ‘Sinnerman’ and references for the world of The Worm included 14th century texts The Canterbury Tales and The Decameron, Aleksey German’s 2013 sci-fi film Hard To Be A God, Bergman’s The Seventh Seal, Tarkovsky’s Andrei Rublev and the hopeful narrative arc of 90s mecha anime series ‘Neon Genesis Evangelion’.
Cited as “one of the most exciting young artists in Nashville’s burgeoning soul scene” by Rolling Stone, Love You Anyway is the second full-length LP and brand-new album from the Philadelphia-born Devon Gilfillian. With an incisive eye and unassuming swagger, along with Devon’s deep knowledge and love of vintage soul, R&B, rock and hip-hop, Love You Anyway re-imagines modern soul music. First vinyl pressing will be on limited edition milky clear vinyl.
POWERWOLF are undoubtedly one of the most celebrated and successful current heavy metal bands. Multiple #1 album chart entries, already 9 gold and platinum records, huge sold out arena shows, as well as headline slots at the biggest festivals have paved their way. In less than 20 years of band history, POWERWOLF has made it to the very highest league of heavy metal. The constant superior quality of their numerous releases, ecstatic fans at all live shows and enthusiastic critics are representative of POWERWOLF.
Just in time for the highest Christian holiday, Easter 2023, another highlight of the band's discography, Interludium, will be released on April 07, 2023. The new release features six new studio tracks, including the single "Sainted By The Storm", which was already celebrated on the band's exhilarating Wolfsnächte 2022 headline tour, as well as one of the most intense tracks in the band's history, "My Will Be Done". The new tracks unite POWERWOLF's musical trademarks and put the strengths of the band as a grown unit in the foreground. Charles and Matthew Greywolf's grandiose guitar playing, Attila Dorn's epochal voice, Roel van Helden's intensity on drums and Falk Maria Schlegel's omnipresent and recognizable organ come together perfectly.
Interludium also features gems and rarities from the band's history. "Stronger Than The Sacrament" and "Living On A Nightmare" were only available on strictly limited samplers and tour-EP-singles from 2012 and 2015. "Midnight Madonna" was released on the Earbook edition of The Sacrament Of Sin, while fans from France will know "Bęte du Gévaudan" as the French version of the hit single "Beast Of Gevaudan" from an exclusive single version.
The 10 songs on the special album were produced by the outstanding quartet of Joost van den Broek, Jacob Hansen, Jens Bogren and Fredrik Nordström. The impressive artwork was crafted by the exceptional Zsofia Dankova once again.
Interludium comes in several editions, most of them containing another exciting surprise: the bonus album Communio Lupatum II, where eleven befriended bands like Eisbrecher, Electric Callboy, Korpiklaani and Rage cover some of the biggest hits of POWERWOLF’s career. More limited versions also contain the second bonus album Interludium Orchestrale, containing eight orchestral versions of the album tracks.
Arriving shortly after their very first North American shows, one of the biggest shows of the band’s career - the (Un-)Holy Easter Mass in Cologne (album release show) - and before several headline summer festival appearances, with Interludium, the whole world will once again be under the spell of the wolfpack in 2023!
Indie Exclusive * First time on colored vinyl * Karl Hector has teamed up with Jay Whitefield (producer and guitarist for the Poets of Rhythm and the Whitefield Brothers, and founder of the now defunct Hotpie & Candy Records) and Thomas Myland and Zdenko Curlinja, founders of the Malcouns. Alongside Bo Baral, other members of the Poets of Rhythm and crack Munich-based session musicians, Whitefield, Myland and Curlija have crafted nearly twenty tracks that follow the musical roads that Hector has travelled. The underlying groove that ties these ideas together, of course, is as rooted is James Brown as it is Fela Kuti. As informed by Mulatu Astatke of Ethiopia as it is by Jean-Claude Vannier and Can. This is an album of the world. Not "world music"- but that will appeal to any culture ever transfixed by rhythm on "the one."
140 Gram Black Vinyl. Music Theories Recordings and Mascot Label Group are excited to announce the release of gui-tar hero Paul Gilbert's new project, 'The Dio Album', available everywhere April 7th, 2023. Forged out of love and admiration for Ronnie James Dio's music, Gilbert's inspiration for a Dio covers record came to him unexpectedly, but nonetheless transformed into a unique collection of songs worthy of a sea of metal horns.
Vinyl LP pressing. 2000 is the third studio album by rapper Joey Badass. The album features guest appearances from Diddy, Westside Gunn, Larry June, Chris Brown, Capella Grey, and JID.
Musique Pour La Danse is proud to present the Donkey Kong Country 2 OST [Recreated] of the much appreciated and globally followed Donkey Kong Country OST recreation project led by NY-based composer and producer Jammin' Sam Miller. Using hex SPC data crudely converted to MIDI, Jammin' Sam Miller painstakingly recreated DKC's soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing the sounds with added effects and mastering. To find out more about his process watch an explanatory video here: cutt. Ly/ulUHE6JRemastered for vinyl, licensed, and presented in a limited edition green forest double LP.
Musique Pour La Danse is proud to present the Donkey Kong Country 3 OST [Recreated] of the much appreciated and globally followed Donkey Kong Country OST recreation project led by NY-based composer and producer Jammin' Sam Miller. Using hex SPC data crudely converted to MIDI, Jammin' Sam Miller painstakingly recreated DKC's soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing the sounds with added effects and mastering. To find out more about his process watch an explanatory video here: cutt. Ly/ulUHE6JRemastered for vinyl, licensed, and presented in a limited edition blue cascade double LP.
Featuring the viral hit, "Barbie & Ken" (a collaboration with pop band Set It Off), here comes Scene Queen's EP, BIMBOCORE Vol. 2. Blending heavy music, metal, and rock, with modern pop, and a whole lot of pink (the color), Scene Queen's follow-up to BIMBOCORE is decidedly catchy, unpredictable, and wildly satisfying. It's not often that an artist creates something so unique and unpredictable that an entire genre is created because of it, but here we are, Scene Queen and BIMBOCORE have arrived.
In the past few years, Sabrina Teitelbaum AKA Blondshell has transformed into a songwriter without fear. The hook-filled songs on her self-titled debut are clear-eyed statements of and about digging your way towards confidence, self-possession, and relief. All of this is powered by brilliant, crystalline melodies, and gigantic choruses that are wrapped with shredding guitars. Teitelbaum grew up in a classic rock-loving household. During an era of sleek teen pop, her most formative childhood obsession was the Rolling Stones. In high school, she discovered new indie-rock bands by scouring NYC venues with her fake ID in hand—these shows instilled in her a love for lyrics with specificity and intensity. When Teitelbaum moved to Los Angeles for music school in 2015, she began forging a different path. She dropped out after two years, but before she did she studied music theory and the art of harmonies. She then found herself writing songs inside the world of pop studio sessions. The biggest gift the pop machine gave her was the clarity that she didn’t really belong there. At the start of the pandemic, she gave herself permission to write without expectation. Subtracting self-consciousness became a catalyst for the songs of Blondshell the album. Blondshell the band had become the vehicle for a woman who knows where her wounds are and instead of looking away, she studies them, cleans them, and sews them back up. Her early 2022 self-released singles “Kiss City” and “Olympus” received immediate raves in Brooklyn Vegan, Billboard, Gorilla VS Bear, Line of Best Fit, LA Weekly, NY Times, Nylon, Pitchfork, Rolling Stone, Spin, Stereogum, and The Fader. She has remixed and remastered these previously available songs and added them to her stunning self-titled debut album.
"Yaeji is a NYC-via-Seoul producer, DJ, and vocalist, whose introspective, dancefloor-ready tracks have made her a global icon occupying a space all her own. After breaking out with her 2017 debut EPs that featured singles “Raingurl” and “Drink I’m Sippin On,” the multifaceted artist featured on Charli XCX’s 2019 album Charli, has gone onto produce remixes for Dua Lipa, and Robyn, collaborate with the beloved Seoul-based polymath OHHYUK, sell out two headlining worldwide tours, and launch her bespoke lifestyle webstore JI-MART. Born in Flushing, Queens in 1993, she has roots in Seoul, Tokyo, Atlanta, and New York City, all serving as the backdrop for her singular, hybrid-sound that synthesizes influences of Korean indie rock and electronica, late ‘90s and early 2000s hip hop and R&B, and leftfield bass and techno. With her critically-acclaimed 2020 mixtape WHAT WE DREW 우리가 그려왔던, she sharpened her vision as a musician who is creatively unbounded by language and geography, leading to partnerships with PAC-MAN and Heaven by Marc Jacobs. Named by Pitchfork as one of the “25 Artists Shaping the Future of Music” in 2022, she’s also graced the cover of Crack, The FADER, MixMag, and Burdock, among others, and has been featured in programming at the V&A Museum, Serpentine Gallery, and MoMA PS1. Her highly anticipated debut album, With A Hammer, arriving April 7, 2023 via XL Recordings, sees Yaeji excavating her inner world with full force, resulting in her most thrilling and personal work yet.
As All Get Out is Matthew Logan Vasquez's new solo full-length record. As lead singer and chief songwriter for rock stalwarts Delta Spirit, Vasquez has toured to world multiple times, played nearly every premier festival in the U.S. and Europe, and appeared on Late Night with Conan O'Brien and Later With Jools Holland. On his latest release, however, Vasquez reflects more on his new day-to-day experiences: raising two young children in the Texas Hill Country with his partner, recently entering full-time sobriety, and generally dealing with all of the complexities of an adult life. As always, however, Vasquez wraps these tales in the charismatic, guitar-driven pop-rock people have come to expect from his Delta Spirit songs. Vasquez and his new band will be touring the U.S. extensively throughout 2023 to promote As All Get Out.
