My Love Is Your Love is a testament to Houston’s place in history as one of the greatest vocalists ever and is now available on 2LP vinyl featuring a new essay by Wyclef Jean, photos, lyrics, and fan testimonials. Celebrate the 25th anniversary of Whitney Houston’s 4x Platinum album My Love Is Your Love, originally released worldwide on November 17th, 1998. Her first studio album in eight years, Houston re-emerged with this remarkable work, graced by her transcendent talents and a prestigious ensemble of musicians. The vibrant sonic landscape interweaves sentiments of love, faith, and ardor with emotional integrity in every note, featuring the hit songs "Heartbreak Hotel," "It's Not Right But It's Okay" and the title track. 

Available for the first time on vinyl, Whitney Houston's The Preacher's Wife: Original Soundtrack Album is the best-selling gospel album of all time. Released on November 26, 1996, the album features songs performed and produced by Houston, who also starred in the film. From the moment you press play, your heart will move to soul-stirring vocals like the hauntingly beautiful "I Believe In You and Me," and the spiritual "Joy To The World," "I Love The Lord," and "Step By Step." The album features guest artists including Shirley Caesar, the Georgia Mass Choir, and Houston's mother, the legendary Cissy Houston. This 2LP vinyl features a new essay by producer Mervyn Warren and fan testimonials of love.

Whitney Houston's third studio album, I'm Your Baby Tonight, is now available on a single LP vinyl edition. Houston served as executive producer for the first time on this 4x Platinum album, originally released on November 6th, 1990. In addition to working with previous producers Narada Michael Walden and Michael Masser, she also worked with the production team of L.A. Reid and Babyface, as well as Luther Vandross, and recorded a duet with Stevie Wonder. Houston also produced the closing song "I'm Knockin'" with her tour music director Rickey Minor. This new vinyl edition features a new essay by Kenneth "Babyface" Edmonds, photos, lyrics, and fan testimonials.

Following the release of the critically acclaimed Random Access Memories 10th Anniversary Edition earlier this year, this new iteration of the GRAMMY-award winning Album of the Year strips away all drum and percussive elements from the album, giving listeners the ability to dive deeper into the layers of instrumentation on each track. 2LP vinyl gatefold package with an 8 page booklet.

The Love Movement is the fifth studio album by A Tribe Called Quest. Originally released on September 29, 1998, by Jive Records, it is a concept album exploring the lyrical theme of love containing 15 album tracks and 6 bonus tracks over 3-LPs. The album features the singles “Find A Way” and “Hot Sex” and has been certified Gold by the RIAA.

Milli Vanilli had a host of global hits, including three #1s on the Billboard Hot 100. This 35th anniversary collection contains 17 tracks including their first major single "Girl, You Know It's True" which raced up the pop charts to number two, along with the next three singles -- "Baby Don't Forget My Number," the ballad "Girl, I'm Gonna Miss You," and the Diane Warren-penned "Blame It on the Rain"-- that all hit number one.

The first of two albums recorded at the legendary final appearance of the Bill Evans Trio at the Village Vanguard, these recordings have long been recognized as capturing the unique interaction that characterized the trio of Evans, LaFaro and Motian. This new edition of Sunday At The Village Vanguard is released as part of the OJC Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio. It is presented in a Tip-On Jacket.

The surprise companion to The National’s April release First Two Pages of Frankenstein, Laugh Track is the band’s most freewheeling, all-hands-on-deck album in years. If Frankenstein represented a rebuilding of trust between group members after 20+ years together, the vibrant, exploratory Laugh Track is both the product of that faith and a new statement of intent. Reveling in the license to radically upend its creative process, The National honed most of this material in live performances on tour, and captured those invigorated versions in impromptu sessions at producer Tucker Martine’s Portland studio. Two nights later in Vancouver, the nearly eight-minute album closer “Smoke Detector” was recorded during soundcheck, completing a body of work bristling with spontaneity and vintage rock energy that makes a perfect complement to the songs found on its more introspective predecessor.

“The revelation that you didn’t need formal training to start a band in 1977 and the realization that you don’t need to be Merce Cunningham to dance are one and the same.” - Ryan Schreiber, Pitchfork, 2003 

47 minutes. Two sides. A single spine jacket. Confident and deliberate. Lightning in a bottle. The Rapture’s Echoes was and is a clear-eyed kick in the teeth, a band at the peak of their powers and producers with an ambitious vision making. a. point. 

The whole “indie crowd finally learns to dance” narrative is overwrought and irrelevant in 2023 - perhaps context is no longer king - but what remains clear is that this album, made by a San Diego punk band who had moved to New York via Seattle, and produced by the DFA in their own studio, where time and gear and ideas both good and bad were aplenty, maintains an energy and search for catharsis that could bulldoze even the most uptight. 

For whatever reason, it’s remained out of print on vinyl since its initial run. (Don’t worry, though, there were a lot of CDR promos lying around.) And now, with minimal pageantry, it’s back.

The Phoenix symbolizes a new beginning. The fire burns off the last vestiges of the past as the bird spreads it's wings and takes flight into the future. The Polyphonic Spree harness the flames of rebirth on their 2023 full-length offering, Salvage Enterprise. Led by frontman, founder, producer, multi-instrumentalist, and visionary Tim DeLaughter, the group embark on their next season. They're reverent of their history, yet they're also ready for an even brighter tomorrow."Across all of the music I've done, lyrically there's a sense of desperation and a moment of convincing myself I'm going to make it through regardless of how the music dresses up," notes Tim. "On this one, I struggled with the amount of vulnerability I was experiencing and was willing to share both musically and lyrically, but ultimately decided to let it play out. Now that it's done, I'm happy with the dance between the two. It's a 'rising-from-the- ashes' record."Salvage Enterprise beckons complete immersion. Opener "Gallop- ing Seas (Section 44)" affixes softly strummed acoustic guitar to an orchestral hum as Tim urges, "Hold on through the galloping seas." "We're all galloping through rough waters," he says. "I tried to describe the process as well as I could and encourage people to keep their heads above the storm and the waves. Ride it out. It's going to be okay. It starts off very calm and introspective, and you can envision where it's going."Flute echoes over nimbly plucked guitar during "Shadows On The Hillside (Section 48)" as keys twinkle. A glorious harmony amplifies the nostalgia of "Hop Off The Fence (Section 49)." It concludes with "Morning Sun, I Built The Stairs (Section 52)." Optimism strains through his hopeful intonation, "I learned to fly, the more that I become a new reason, I want to try," uplifted by boisterous horns and cinematic strings. It crashes into an Ennio Morricone-style crescendo bolstered even higher by operatic vocals."There is an arc of leaving the world behind, stripping your old self away, and becoming new again," he offers. "You're shedding off this old world, and you're heading into the future. It's an epic ending. You've made it. You're going to be alright."In the end, The Polyphonic Spree are the soundtrack to that light at the end of the tunnel.

Unknown Mortal Orchestra came to life in basements and bedrooms, the musical vision of Portlander-via-New Zealand Ruban Nielson that fused guitar-god riffs, choppy percussion, soul and funk. II, the sophomore album from UMO, emerged in an era rampant hedonism and isolationism and became the blueprint for everything Nielson has become renowned for. It was, and is, the solidification of Unknown Mortal Orchestra as an endlessly intriguing, brave and addictive band. Ten years on, it’s back with an expanded edition.

Written during a punishing, debauched touring schedule during which Nielson feared for both his sanity and health, II illustrates the emotional turmoil of life on the road, painting surrealist, cartoonish portraits of loneliness, love and despair. These conflicting themes are evident immediately; on the album’s sleeve is an unnerving image of Janet Farrar, the famous British witch, Wiccan, author and teacher of witchcraft. The chilling refrain of opener “Into The Sun” sees Nielson deliver the line “Isolation can put a gun in your hand,” softly, his words starkly intelligible above a warm, slow-burning melody that quickly brands itself onto your brain. His playful imagery (“I’m so lonely I’ve gotta eat my popcorn all alone”) mirrors the melody, before a solo that borders on psychotropic ends II‘s introduction. UMO is unafraid to dig deeper than the rest, their intoxicating, opiate groove bringing rock’n’roll’s exaggerated myths to life. And as it unfolds, II does find Nielson reenergized. “One At A Time” and “Faded In The Morning” boast dizzying choruses and instrumentals; these crusty hunks could have been excavated from a lost 1960s treasure trove. “Monki” unravels over seven minutes like the yarn from a stoner’s cardigan with an eye-frying pattern. “Dawn” is a minute of disconcerting noise that stands out between the nooks and crannies of the choruses, guitar solos, groove-heavy bass and drums that were recorded live by newly-recruited drummer Greg Rogove and Kody Nielson in a move away from the electronic percussion employed on album one. II closes with “Secret Xtians,” a tender observational puzzle that fizzes to a satisfied end.

In celebration of the album’s 10th anniversary Nielson’s complete collection from the II era is finally available in one compilation, and features the five acoustic tracks from the Blue EP as well as two additional B-sides. Unknown Mortal Orchestra was once Nielson’s closeted concern. With an album that uses his singular musical imagination and extraordinary talent to parade his emotions with unyielding honesty, it is now a fully realized band operating at the peak of its powers ten years on.

Limited 25th anniversary edition on transparent yellow vinyl of Don Caballero's third album, What Burns Never Returns (Originally released in 1998, Touch and Go Records)

"Yet another testament of pure musical genius from the wizards of Don Caballero. This album -- probably their greatest effort to date and a keystone instrumental album -- will make musicians stand open-mouthed in absolute amazement, wondering just how such music is written." - Allmusic.com

"As the purveyor of brainy, muscular instrumental rock, Don Caballero spent most of its early years labeled the "Geeks from Pittsburgh who don't sing." Now that the rest of the indie-rock world has warmed up to instrumental rock (see the popularity of Tortoise, et al.), Don Caballero reemerges from hiatus with its third full-length, What Burns Never Returns. Staying ahead of the learning curve, the band employs little of the muscle that marked its earlier efforts, instead adopting a more highbrow, abstract approach to its music making. The band is not improvising per se, but creating meticulously arranged, post-Kind Crimson-like songs that attack odd time signatures. Stunning in its acrobatic musicianship, intriguing in its relentless experimentalism, What Burns… is indeed a welcome return."    — Tad Hendrickson, CMJ New Music Report, 1998

Culled from half a decade of home four-tracking, Remote Echoes is a hissy, crumbly, and ungrounded expression of Clay Parton and Canaan Amber's ongoing Duster project. A mix of cassette only demos released under the banners Christmas Dust and On The Dodge, this 14 track album also includes a bevy of previously unissued stragglers. Duster's unique blend of fuzzy guitars, bargain synths, muffled percussion, and hushed vocals anticipated chillwave, mumblecore, and corecore, elegantly illustrating the holy trinity of slacker vices: cigarettes, coffee, and the weed supreme.

Culled from half a decade of home four-tracking, Remote Echoes is a hissy, crumbly, and ungrounded expression of Clay Parton and Canaan Amber's ongoing Duster project. A mix of cassette only demos released under the banners Christmas Dust and On The Dodge, this 14 track album also includes a bevy of previously unissued stragglers. Duster's unique blend of fuzzy guitars, bargain synths, muffled percussion, and hushed vocals anticipated chillwave, mumblecore, and corecore, elegantly illustrating the holy trinity of slacker vices: cigarettes, coffee, and the weed supreme.

Global icon and recent Rock & Roll Hall of Fame inductee, Dolly Parton, has joined forces with some of rock music’s most legendary artists along with today’s biggest stars for her first-ever rock album, Rockstar. The ever-evolving Parton teamed up with an all-star roster of musicians for the 30-song collection which includes 9 original tracks and 21 covers of iconic rock anthems.

Global icon and recent Rock & Roll Hall of Fame inductee, Dolly Parton, has joined forces with some of rock music’s most legendary artists along with today’s biggest stars for her first-ever rock album, Rockstar. The ever-evolving Parton teamed up with an all-star roster of musicians for the 30-song collection which includes 9 original tracks and 21 covers of iconic rock anthems.

Andrew Bird on Outside Problems: I wanted to record Inside Problems outside, but this plan fell apart when it became clear that some dude with a wood chipper could really ruin our day. I did so much casual recording during the pandemic, in my backyard or in Ojai, that I gathered enough outdoor recordings to make Outside Problems. Most of these were made without any intention of making an album, just improvisations on simple themes, some of which make up the musical backbone of Inside Problems.

Vinyl LP pressing. In addition to appearing as a sideman on dates led by Kenny Burrell, Freddie Hubbard, and Jackie McLean, tenor saxophonist Tina Brooks recorded several of his own Blue Note sessions as a leader between 1958-61. However, only one would be released during Brooks' too-brief lifetime, the hard bop masterpiece True Blue. A jewel of the Blue Note catalog, the album was recorded in June 1960 just one week after Brooks appeared on Hubbard's own Blue Note debut Open Sesame. Once again Brooks and Hubbard joined forces on the frontline with Duke Jordan on piano, Sam Jones on bass, and Art Taylor on drums. The quintet take flight on five of Brooks' distinctive compositions including "Good Old Soul," "Up Tight's Creek," and the grooving title track before closing with an elegant version of the standard "Nothing Ever Changes My Love For You."

20th anniversary deluxe edition of Evanescence’s 2003 debut, Fallen. Featuring the stratospheric hit singles "Bring Me To Life," "Going Under," "Everybody's Fool" and "My Immortal." Since it's release, Fallen has become one of the world’s best-selling albums of all-time, with more than 17 million copies sold worldwide. This remastered and expanded edition includes B-sides, rarities, and more.

2xLP Deluxe Edition of Nonagon Infinity! The original album plus a bonus LP with 10 demos. New packaging includes an embossed gatefold jacket with gold foil stamping and a 24" x 36" fold-out poster. Originally released in 2016, Nonagon Infinity remains the band biggest album. Constructed as an infinite loop, Pitchfork claimed upon it's release that the record was "overstuffed with so many stomach-tossing thrills that you’ll actually be jonesing to ride the roller-coaster all over again."  Also available on 2xCD!

Oscar Peterson Trio - "Very Tall (Verve Acoustic Sound Series)" / Very Tall, released in 1961, features the first partnership between Oscar Peterson and vibraphonist Milt Jackson. The quartet set (which also includes bassist Ray Brown and drummer Ed Thigpen) swings as hard as one might expect. Highlights include "On Green Dolphin Street," 'John Brown's Body' (a jam on 'Battle Hymn of the Republic') and 'Reunion Blues.' Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

1964 was a pivotal year in the musical life of Wayne Shorter. Early in the year, the saxophonist was still a member of Art Blakey & the Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. That summer he would join the Miles Davis Quintet, cementing a lineup that became one of the seminal bands in jazz history. But before that he stepped out confidently as a Blue Note artist when he entered Van Gelder Studio in April to record his masterful label debut as a leader, Night Dreamer. The sublime six-song set signaled the arrival of one of the most important new voices in jazz, a visionary composer and thrilling improviser with a wholly distinctive sound. Timeless Shorter originals including "Black Nile," "Virgo," "Armageddon," and the extraordinary title track are given transcendent performances by a quintet featuring trumpeter Lee Morgan, pianist McCoy Tyner, bassist Reggie Workman, and drummer Elvin Jones. / This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Shania Twain releases her record-breaking Greatest Hits album for the first time on 180g black vinyl! Selling over 100 million records, Shania is the best-selling female country artist ever, and this compilation showcases why. Including her iconic songs “Man! I Feel Like a Woman!”, “Any Man Of Mine,” “You’re Still The One,” and “Forever And For Always”, this updated remastered release now contains her newest hit “Giddy Up!” and fan favorite “Life’s About To Get Good.”

"Wish (Original Motion Picture Soundtrack)" - Various Artists / "Wish" introduces 17-year-old Asha, the powerful King Magnifico, Asha's pet goat Valentino, and Star, a celestial ball.

Back in print on vinyl. Named one of the 20 best albums of 1992 by Spin Magazine, Ween's 2nd record was recorded by Dean and Gene Ween on a Tascam four-track cassette recorder between January and October 1990. All songs were recorded at the Pod, the apartment where they lived for a year and 10 months. In 1999 The Stranger declared: "someday, classical music students will write dissertations on The Pod.” “Fuscus Edition” pressed on brown and cream A-side/B-side vinyl. 

The Journey is a collection of tracks chosen by The Kinks' Ray Davies, Dave Davies and Mick Avory that reflect the trials and tribulations of their journey through life together as a band since 1963. The albums are split into themed sections created by The Kinks. - Contains: Hits, key album tracks, singles, band favorites and B-sides. Features six new Ray Davies track mixes, including three previously unreleased 1975 live versions. All recordings remastered from original sources.

RSD Essential 054 - 40th anniversary edition of Ozzy Osbourne’s classic third studio album Bark At The Moon on translucent cobalt blue vinyl – includes bonus poster.

Back To Moon Beach is an EP by no one’s definition but Kurt Vile’s. For Kurt, this collection is an expression of just how deep his well of non-album material runs. This includes six tracks culled from various sessions over the last four years, and represents a wide swath of the inspirational musical community Kurt surrounds himself with. (Verve Records)

The Songs for Slim series was constructed in order to raise money for former Replacements guitarist Slim Dunlap's medical costs, the result of a massive right brain stroke he suffered in 2012. Fellow Replacements members Paul Westerberg and Tommy Stinson reunited and recorded an original Slim Dunlap song plus three additional covers. Original Replacements drummer Chris Mars also recorded a Slim cover and all five tracks were combined on a limited edition run of 250 numbered copies of 10" vinyl EPs.

Acetone was originally released on vinyl in 1997. This new pressing is the first pressing since 1997. Originally pressed on a two-disc LP and packaged in a wide-spine jacket, this release is now pressed on black vinyl and inserted into a full art gatefold.

If You Only Knew  is now pressed on vinyl for the first time ever. This 2-disc version is pressed on black vinyl and inserted into a full art gatefold. Originally slated for a vinyl release, the audio was eventually released solely on CD and promo cassette.