Fleet Foxes' Live On Boston Harbor serves as the live album companion to the band's concert broadcast in 2022, marking the autumnal equinox and coinciding with the second anniversary of the GRAMMY-nominated studio album Shore. Recorded at Leader Bank Pavilion in Boston, Massachusetts, Live On Boston Harbor documents the Shore world tour with a two-hour career-spanning set across 3 LPs. It offers a mesmerizing experience for Fleet Foxes enthusiasts that showcases the band's musical journey. Robin Pecknold is joined by Skyler Skjelset, Casey Wescott, Christian Wargo, Morgan Henderson and Christopher Icasiano. The packaging includes a 3-disc wide spine sleeve adorned with an orange obi wrap across the cover. Fleet Foxes' fourth studio album, Shore, was praised as one of the top albums of 2020 by Rolling Stone, Pitchfork, NPR, The New Yorker, Mojo, Uncut and more. With over 250 million global streams to-date, Shore also found strong support at radio, holding #1 on JBE non-comm chart for 14 weeks in a row and reaching Top 5 BDS Monitored and Top 10 Mediabase at the AAA format with the single "Can I Believe You."

Charli XCX - Brat and it's the same but there's three more songs so it's not / Charli's Smash 6th Studio Album Expanded with 3 Bonus Tracks! Pressed on White Vinyl Double LP! For her sixth studio album, the dance/electronic music album Brat, Charli XCX worked with the likes of Gesaffelstein and Hudson Mohawke.

**we'll have your way shortly**

Double vinyl LP pressing. 2024 release. Welcome To The Plains is the debut album from Wyatt Flores. Across it's 14 epic tracks, Wyatt writes about home, happiness, family and the place that raised him - Stillwater, Oklahoma. The album is happy on one side and heartbreak on the other. It's powerful storytelling and tight musicianship create a classic album for the ages that is a true front to back experience.

Drawn from two sessions recorded in December 1969 and December 1970, and not first released until 1995, Kofi found Donald Byrd in the early stages of his transformation from top-notch hard bop trumpeter to fusion pioneer. Byrd had already begun to move away from a pure hard bop sound with his album Fancy Free in the Spring of 1969, and the two Kofi sessions straddled the recording of his adventurous fusion album Electric Byrd. The first Kofi session subtly explored a new realm of sounds on Byrd’s originals “Kofi” and “Fufu” with producer Duke Pearson’s electric piano shimmering underneath textured arrangements featuring Lew Tabackin on flute and tenor saxophone, Frank Foster on tenor saxophone, William Campbell on trombone, Ron Carter on acoustic bass, Bob Cranshaw on electric bass, and Airto Moreira on drums. The following 1970 session produced two more vibey Byrd originals—“Perpetual Love” and “Elmina”—adding Wally Richardson on guitar and Mickey Roker on drums with Moreira playing percussion along with Dom Um Romão.

Memphis-born trumpeter Booker Little was a bright light of the jazz world who died tragically young at age 23. A prodigiously talented hornman as well as a composer, Little first came to prominence as a member of Max Roach’s band which he joined in 1956 after the death of Clifford Brown, another trumpet great gone far too soon. Little only made a handful of albums as a leader during his brief career including his astounding debut Booker Little 4 & Max Roach recorded in 1958 for United Artists when he was just 20 years old. The full breadth of Little’s artistry leaps out of the grooves with his brilliant tone, astonishing technique, and inventive lines matched by Roach’s fiery drums throughout this engaging set that also featured George Coleman on tenor saxophone, Tommy Flanagan on piano, and Art Davis on bass. The album opens with Miles Davis’ “Milestones” and includes the standards “Sweet and Lovely” and a stunning version of “Moonlight Becomes You,” but the album’s centerpiece is the trio of Little originals: “Rounder’s Mood,” “Dungeon Waltz,” and “Jewel’s Tempo.”

A bruising and shadowy return to form from original Smashing Pumpkins members Jimmy Chamberlin, James Iha, and Billy Corgan. Recorded in the immediate aftermath of their 33-song concept album, ‘Atum’, 'Aghori Mhori Mei' harkens back to the band’s early 90’s canon; where guitars, bass, drums, and spiking vocals ruled.

Quantum Baby is the second installment in Tinashe’s BB/ANG3L album trilogy. The first in the series, BB/ANG3L, was released Fall ‘23 and was followed by the BB/ANG3L tour and Tinashe’s first Tiny Desk performance. Tinashe began teasing the hit single “Nasty,” this past Spring, debuting the song at Coachella 2024. The song quickly went viral, to become the song of the summer. This led to everyone asking the most prevalent question of the summer: “Is somebody gonna match my freak?” “Quantum Baby is about getting to know me on a deeper level. It's about exploring who I am as a person and who I am as an artist. I’ve never been one to be put into a box, so the name Quantum Baby encompasses all the different parts that make up who I am as a creative,” says Tinashe, describing the album as “forward, hot and lots of bass!”

Born out of her time on the road, Samara Joy took her touring band into legendary Van Gelder Studios in February of 2024. This record, appropriately entitled Portrait, is a collection of standards (as well as one original) and features her singular voice, alongside arrangements from this tight-knit young group. The recording tells the story of the community she’s created with a new generation of young players and is evocative of the energy of her incredible live show.

Recorded and produced by Ray LaMontagne in (fittingly) his home studio, Long Way Home is the follow-up to 2020's critically acclaimed album Monovision. Of the album, LaMontagne says, "Every song on Long Way Home is in one way or another honoring the journey. The languorous days of youth and innocence. The countless battles of adulthood, some won, more often lost. It's been a long hard road, and I wouldn’t change a minute."

Vinyl LP pressing. 2024 release. What's Wrong With New York? is the long awaited and highly anticipated debut album from The Dare. Recorded between The Dare's home and studio in New York, it features songwriting and production collabs with Dylan Brady (100 gecs), Emile Haynie (Lana Del Rey, FKA twigs, Dua Lipa), Romil Hemnani (Brockhampton), Chris Greatti (Yves Tumor, Yeule), Isaac Eiger of Strange Ranger and more. The Dare is the solo project of vocalist, songwriter and producer Harrison Patrick Smith.

Jack White announced the official release of his acclaimed 2024 album, No Name, following it's clandestine white-label appearance at Third Man Records locations where customers were slipped, guerilla-style, free unmarked vinyl copies in their shopping bags. With the surprise unveiling of No Name, fans proved that the rumblings of something mysterious can grow into the beautiful experience of a community sharing the excitement and energy of music and art. Third Man is thrilled to bring this music and mission to a wider audience with the announcement of the wide black vinyl release.

Criminal Records exclusive Clear Sunrise vinyl

Russell County, Virginia-based 49 Winchester is following up their 2022 breakthrough hit, Fortune Favors The Bold with their latest album, Leavin’ This Holler. Since their last release in 2022 the band has mined success across the globe by playing multiple sold out tours in the US as well as a sold out run of arena concerts opening for Luke Combs across Europe. Crowds have celebrated and supported this band across the globe and the band’s hard workin ways continue to help build their devoted following.

Leavin’ This Holler is a soulful anthem of liberation and renewal. The album narrates a journey of breaking free from the chains of the past to pursue happiness and freedom. With a resolute spirit and a clean washed heart, 49 Winchester embraces change and sets out on a quest for new heights. Fortune has favored these bold boys and fueled by determination and the promise of a bright future, ‘Leavin’ this holler’ is a powerful ode to resilience and the pursuit of personal fulfillment.

Nick Cave & The Bad Seeds return with new album, Wild God. Across the ten tracks of the album, the band dance between convention and experimentation, taking left-turns and detours that heighten the rich imagery and emotion in Cave's soul-stirring narratives. It is the sound of a group emboldened by reconnection and taking flight. There are moments that touch fondly upon the Bad Seeds' past but they are fleeting, and serve only to imbue the relentless and restless forward motion of the band. Produced by Cave and Warren Ellis, and mixed by David Fridmann, Cave began writing the album in 2023. With sessions at Miraval in Provence and Soundtree in London, the Bad Seeds added their unique alchemy, with additional performances from Colin Greenwood (bass) and Luis Almau (nylon string guitar, acoustic guitar). "Wild God... there's no fucking around with this record. When it hits, it hits. It lifts you. It moves you. I love that about it," says Nick Cave.

Hole Erth, Chaz Bear's eighth full-length studio record as Toro y Moi, is the genre shapeshifter's most unexpected and bold move to date, with Bear diving headlong into rap-rock, Soundcloud rap and Y2K emo. The album blitzes anthemic pop-punk next to autotuned, melancholic rap - two genres that inform one another now more than ever before - and packs in the most features ever on a Toro y Moi album. A sense of nostalgia sneaks it's way into almost every Toro y Moi release, but angst is an emotion that Bear has never intentionally explored the way he does here. Tracks like "Tuesday' channel a specific, yet forever-relatable sense of adolescent unease. A distorted guitar riff leads into a repeating chorus that conjures misunderstood teenagers singing aloud, maybe too loud, while riding bikes through American suburbs. This foreboding can also be heard on "HOV," though not without poking some fun with lines like "Romance is so cold / My advice? To bring a coat." Bear has the energy, but is acutely aware that his energy isn't forever. At a time when the internet is blending multiple genres into one at an increasingly rapid pace, Bear accomplishes the rare feat of keeping up with the contemporary alternative listener. Constantly changing, evolving and experimenting is the heart of Toro y Moi, and on Hole Erth Bear challenges but also reclaims himself, embracing the myriad sounds and eras that formed him, while crashing new worlds together.

Double 180gm vinyl LP pressing. 2024 live release from the acclaimed Bluegrass musician. Billy Strings partners with Reprise Records for his first-ever live album.

With the release of Cigarettes After Sex’s third album, X’s, the band finally takes center stage as not just one of today’s preeminent indie bands, but as one of the most globally accomplished acts across any genre. Filled with raw, imagistic, sometimes smutty vignettes set to entrancing, slow burn pop songs, bandleader Greg Gonzalez captures every emotion a romantic arc inspires. Indie Exclusive Crystal Clear LP. Limited Edition.

I Love You So F***king Much is the fourth studio album from human musical group sensations Glass Animals, released on Republic Records on July 19.

p.s. Artwork by the legendary Lydia Roberts
p.p.s. layout design by Stijn van Hapert
p.p.p.s.  includes liner notes written by the incredible Gabrielle Zevin.

Vinyl LP pressing. The winds of change were blowing through Wayne Shorter's life and career in 1970. The saxophonist had just left Miles Davis' group and was soon to form his collective fusion band Weather Report. His music was evolving too as he began to delve into his own unique fusion explorations on his previous two Blue Note recordings Super Nova and Moto Grosso Feio. Recorded in August 1970, the mesmerizing Odyssey of Iska would be the last release of Shorter's early Blue Note period. The album was a tribute to his daughter Iska-who had been born the year before with severe brain damage-with four immersive Shorter compositions portraying a variety of moods: "Wind," "Storm," "Calm," and "Joy." The album's centerpiece is an extended version of Bobby Thomas' Brazilian influenced piece "De Pois do Amor, o Vazio" (After Love, Emptiness), foreshadowing Shorter's growing interest in Brazilian music which he would explore further in the years to come. Shorter's soprano and tenor saxophones are the lone horns heard on the album which featured Gene Bertoncini on guitar, David Friedman on vibraphone and marimba, Ron Carter and Cecil McBee on bass, and Alphonse Mouzon, Billy Hart, and Frank Cuomo contributing drums and percussion.

Gracie Abrams returns with her sophomore album, "The Secret of Us" released via Interscope Records. This is Gracie's most expansive body of work both sonically and narratively.  Coming off the heels of her hugely successful debut "Good Riddance" Gracie shows us how much she has accomplished in one short year. Gracie's growth as a songwriter and vocalist is showcased in her most extroverted album yet, as she continues to work with longtime collaborator Aaron Dessner. A portion of these songs were also written with Gracie's best friend, Audrey Hobert. This album was written with the urgency with which you run home to detail every moment of a night to your friend, with her live experiences over the past year having deeply shaped the identity of this album.